Rhythm, Ancestrality and Spirit in Maracatu de Nação and Candomblé: Repercussions examines how the highly percussive carnival practice of Maracatu de nação – an Afro-Brazilian musical and spiritual tradition originating in the north- eastern state of Pernambuco – has evolved in relation to the cosmology of Candomblé Nagô in the urban centres of Recife and Olinda, Brazil.
Offering one of the first detailed ethnographic explorations into maracatu de nação, Candomblé Nagô and the connections between them, this book is a collaborative enquiry into frequently negated sacred and ancestral knowledge systems central to Afro-Brazilian musical-spiritual practices. Using an innovative research framework which integrates musical and rhythmic practices with spiritual, ancestral and ecological knowledge systems, readers are provided with an intimate ethnography based on eight years of friendship and learning with the oldest continuously active maracatu group in the world, Nação Leão Coroado, and its most recent leader, Mestre Afonso Aguiar (1948– 2018).
This is a valuable text for those interested in ethnomusicology, performance studies, religious and cultural anthropology, decolonial research methods and writing styles, eco- musicology and Afro-diasporic, Brazilian and Latin American studies.
By:
Lizzie Ogle
Imprint: Routledge
Country of Publication: United Kingdom
Dimensions:
Height: 229mm,
Width: 152mm,
Weight: 453g
ISBN: 9781032413792
ISBN 10: 1032413794
Series: SOAS Studies in Music
Pages: 238
Publication Date: 18 June 2024
Audience:
College/higher education
,
Professional and scholarly
,
Primary
,
Undergraduate
Format: Hardback
Publisher's Status: Active
1. Introduction 2. Where the Lion Walks: Leão Coroado, Pathways and Trajectories 3. Ground: States of Peripherality, Ecologies of Reciprocity 4. Rhythm: Non-linear Histories of Sound, Sensation and Spirit 5. Conclusions: Holding History Open
Lizzie Ogle is a musician, composer, music educator and researcher, with a focus on decolonial and eco- musicological theory and practice. Alongside regular musical performance, creation and education, she completed her PhD in ethnomusicology at King’s College London in 2020, and has since lectured at SOAS University of London on topics including music and colonialism, decolonial ethnographic methods, music and ecology, embodiment, trance ritual and divinity.
