Lyndsey Stonebridge is Interdisciplinary Professor of Humanities and Human Rights at the University of Birmingham. Her recent books include: Placeless People: Rights, Writing, and Refugees (OUP, 2018), winner of the Modernist Studies Association Best Book Prize, 2019, and The Judicial Imagination: Writing after Nuremberg (Edinburgh University Press, 2011), winner of the British Academy Rose Mary Crawshay Prize, 2014. Her other books include The Destructive Element (1998), Reading Melanie Klein (with J. Phillip, 1998), The Writing of Anxiety (2007), and British Fiction after Modernism (with M. MacKay, 2007). She is currently collaborating on a creative and interdisciplinary project with refugees and host communities in Lebanon, Jordan, and Turkey, Refugee Hosts. A regular broadcaster and media commentator, she has written for The New Statesman, Prospect, and The New Humanist.
This slim but comprehensively researched, rigorously argued volume tackles human rights, literature, moralities, philosophy, aesthetics as well as our discourses about these in a complex, nuanced and yet completely accessible way. It makes for a challenging, thought-provoking, illuminating, and at times discomfiting read. This volume -to borrow from Stonebridge herself -is a must read for lawyers and philosophers, ideologues and academics, to thinkers, writers, teachers, readers, artists, activists, survivors and indeed each one of us who has ever lost themselves to a story that may be our own or entirely of another. * Sunny Singh, Professor of Creative Writing & Inclusion in the Arts, London Metropolitan University * Magnificenta journey across our times, told with eloquence and depth, ideas and observations abound, opening vistas aplenty * Philippe Sands, author of East West Street * Pithy and powerful, this book plumbs the crucial questions of our times. If its focus is on what literature can be and do, its preoccupation is with the ethics and politics of writing in a world where liberal individualism and the pursuit of rights has tipped us into a malign logic of totalitarianism. Stripped of citizenship, millions are stripped of the right to be heard. Yet words can make injustice visible, sometimes in their intensity, even take on performative power. Stonebridge's literary ammunition comes from both history and the present, from Virginia Woolf to Kamila Shamsie, from Freud and Sartre to writers like Yousif Qasmiyeh in a refugee camp, while Hannah Arendt's philosophical force underpins her arguments. This is a passionate book, quick to read, but with a slow burn. * Lisa Appignanesi, author of Everyday Madness: On Grief, Anger, Loss and Love * Stonebridge is an immensely gifted writer and thinker. Her new book will help to revitalise literary criticism. * Bryan Cheyette, Times Higher Education *