Radical Contemporary Theatre Practices By Women In Ireland

Miriam Haughton, Mária Kurdi

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English

Peter Lang International Academic Publishers
20 December 2018

Theatre direction & production; Theatre management

Series: Carysfort Press Ltd.

A useful and provocative book that collects the diverse and related practices of theatre makers and theatre professionals deserving of greater attention from artists, teachers and scholars. (Willie White, Director of Dublin Theatre Festival and President of IETM)

Radical Contemporary Theatre Practices by Women in Ireland is an important contribution to the fields of Irish theatre and performance studies, and gender and performance in Ireland. The essays and interviews explore the work of women directors, designers, and playwrights on both sides of the Irish Border, who are currently shaping theatre practice on the island. By gathering such an impressive range of material, Mária Kurdi and Miriam Haughton have produced a collection that offers a snapshot of radical practice on the Irish stage in the early 21st century. (Lisa Fitzpatrick, Senior Lecturer in Theatre, University of Ulster)

Edited by: Miriam Haughton, Mária Kurdi
Imprint: Peter Lang International Academic Publishers
Country of Publication: United Kingdom
Edition: New edition
Dimensions: Height: 225mm, Width: 150mm,
Weight: 412g
ISBN: 9781788747950
ISBN 10: 178874795X
Series: Carysfort Press Ltd.
Pages: 274
Publication Date: 20 December 2018
Audience: Professional and scholarly , Undergraduate
Format: Paperback
Publisher's Status: Active

Reviews for Radical Contemporary Theatre Practices By Women In Ireland

A useful and provocative book that collects the diverse and related practices of theatre makers and theatre professionals deserving of greater attention from artists, teachers and scholars. (Willie White, Director of Dublin Theatre Festival and President of IETM) Radical Contemporary Theatre Practices by Women in Ireland is an important contribution to the fields of Irish theatre and performance studies, and gender and performance in Ireland. The essays and interviews explore the work of women directors, designers, and playwrights on both sides of the Irish Border, who are currently shaping theatre practice on the island. By gathering such an impressive range of material, Maria Kurdi and Miriam Haughton have produced a collection that offers a snapshot of radical practice on the Irish stage in the early 21st century. (Lisa Fitzpatrick, Senior Lecturer in Theatre, University of Ulster)