Alex Ross studied at the American Academy of Art in Chicago, then honed his craft as a storyboard artist before entering the field of comics. In 1993, Marvels--his groundbreaking miniseries with writer Kurt Busiek--created a wider acceptance for painted comics. In 1996 he and writer Mark Waid produced the equally successful Kingdom Come for DC Comics, and followed those up with an extensive series of work including magazine and album covers, as well as a poster for the Academy Awards. Ross has also been the subject of two monographs written and designed by Chip Kidd--Mythology: The DC Comics Art of Alex Ross and Marvelocity: The Marvel Comics Art of Alex Ross. His latest book is The Alex Ross Marvel Comics Poster Book (Abrams ComicArts, Spring 2021).
Pride: Fifty Years of Parades and Protests From the Photo Archives of The New York Times offers a self-reflexive review of the ways in which this newspaper has reported on the L.G.B.T.Q. community over the past half-century. In his introduction, The Times's Los Angeles bureau chief, Adam Nagourney, takes the paper to task for its shortcomings in regards to its coverage of Stonewall and AIDS, among other subjects. The book reproduces a February 28, 1971 article, More Homosexuals Aided to Become Heterosexual, published two years before the American Psychiatric Association declared that homosexuality was not, in fact, a mental illness. The chronological interplay of published stories and more than 350 photographs presents a timeline of the relentless march - and marches - of recent history, as filtered through the media's perspectives and prejudices. -- -The New York Times To take in the breadth of [PRIDE's] contents - to see the scope of LGBTQ+ rights, from the first Christopher Street Day march in 1970 to protests for transgender rights just last year - is to witness the power of visibility firsthand -- -them. A stunning new coffee table book -- Queer Forty