This volume explores comics as examples of moral outrage in the face of a reality in which precariousness has become an inherent part of young lives. Taking a thematic approach, the chapters devote attention to the expression and representation of precarious subjectivities, as well as to the economic and professional precarity that characterizes comics creation and production.
An international team of authors, young and senior systematically examines the representation of precarious youth in graphic fiction and autobiographic comics, superheroes and precarity, market issues and spaces of activism and vulnerability. With this structure, the book offers a global perspective and comprehensive coverage of different aspects of a complex and multifaceted field of knowledge, with a special attention to minorities and liminal subjects. The comics analyzed function as examples of ""ethical solicitation"" that bear witness of the precarious existence younger generations endure, while at the same time creating images that voice their outrage and might move readers to act.
This timely and truly interdisciplinary volume will appeal to comics scholars and researchers in the areas of media and cultural studies, modern languages, education, art and design, communication studies, sociology, medical humanities and more.
List of Figures; List of Contributors; Acknowledgments; Introduction: Graphic Narratives and the Precarious Condition; Part I Representations of Precarious Youth in Graphic Fiction; 1. The Ideological Depiction of Childhood during the Great Depression: from Little Orphan Annie to Little Lefty; 2. Oppressive Structures and Childhood Precarity in The Witches: A Graphic Novel; 3. Journey to Adulthood: Visual Representation of a Morphing Identity in Inio Asano’s Goodnight Punpun; 4. “A Malaise That We Don’t Know What to Name:” Cruel Optimism and Residual Disenchantment in Nadar’s El Mundo a Tus Pies (2015); 5. What Is Love? Precarious Lives, Precarious Loves in the Works of Italian Women Graphic Novelists; Part II The Young Self in Crisis in (Auto)Biographic Comics; 6. Uncertain Homes: Trauma, Fracture, and Resilience in Roma Biographies from the “Children’s Homes” in the Czech Republic; 7. Finding Voice Within the Objects of Their Lives: Adolescents Writing Memoir Comics to Interrogate Crisis; Part III Superheroic Precarity; 8. Super-Precariat: Socioeconomic Fictions and Realities of Superhero Comic Books; 9. “What Happens to a Dream Deferred?”: Super Villains of African Descent; Part IV Surviving in a Precarious Market: Labour Insecurity and the Publishing Sector; 10. Precarious Identity: Labelling Oneself Fumettista?; 11. Amazing Ultradeformer Cartoonist from Ituzaingó: The Memes of Pedro Mancini; 12. In Conversation with Vicent Giard: A Decade Taking Care of a Little Colossus; Part V Spaces of Vulnerability / Spaces of Action; 13. Crises, New Modalities of Social Struggle and the Emergence of LGBTIQ+ Discourses as Revulsive and Autonomous Responses in the Field of Argentine Comics (2016- 2020); 14. Cultural Otherness in Der Traum von Olympia (An Olympic Dream); 15. Wasted Potential, Disposable Bodies: The Many Victims of Backderf’s My Friend Dahmer; 16. Strike Comics: Representing the Inequities and Absurdities of Academic Precarity; Index
María Porras Sánchez is an Assistant Professor at the Department of English Studies, Universidad Complutense de Madrid, Spain. Her main research areas are graphic narratives, cultural translation, and postcolonial and transnational literatures in English language. Gerardo Vilches holds a PhD in Contemporary History at Universidad Nacional de Educación a Distancia, Spain, and has completed a doctoral thesis on the politics of the Spanish Transition in the satirical press. He also teaches History at Universidad Europea, Madrid, Spain.
