Picturesque and Sublime

Thomas Cole's Trans-Atlantic Inheritance

Tim Barringer, Gillian Forrester, Jennifer Raab

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English

Yale University Press
06 March 2018

History of art & design styles: c 1800 to c 1900; Individual artists, art monographs

Landscape art in the early 19th century was guided by two rival concepts: the picturesque, which emphasized touristic pleasures and visual delight, and the sublime, an aesthetic category rooted in notions of fear and danger. British artists including J.M.W. Turner and John Constable raised landscape painting to new heights and their work reached global audiences through the circulation of engravings. Thomas Cole, born in England, emigrated to the United States in 1818, and first absorbed the picturesque and sublime through print media. Cole transformed British and continental European traditions to create a distinctive American form of landscape painting. The authors here explore the role of prints as agents of artistic transmission and look closely at how Cole’s own creative process was driven by works on paper such as drawings, notebooks, letters, and manuscripts. Also considered is the importance of the parallel works of William Guy Wall, best known for his pioneering Hudson River Portfolio. Beautifully illustrated with works on paper ranging from watercolors to etchings, mezzotints, aquatints, engravings, and lithographs, as well as notable paintings, this book offers important insights into Cole’s formulation of a profound new category in art—the American sublime.

Published in association with the Thomas Cole National Historic Site

Exhibition Schedule:

Thomas Cole National Historic Site

(05/01/18–11/04/18)

By: Tim Barringer, Gillian Forrester, Jennifer Raab
Imprint: Yale University Press
Country of Publication: United States
Dimensions: Height: 279mm, Width: 229mm, Spine: 2mm
Weight: 1.134kg
ISBN: 9780300233537
ISBN 10: 0300233531
Pages: 192
Publication Date: 06 March 2018
Audience: General/trade , ELT Advanced
Format: Paperback
Publisher's Status: Active

Tim Barringer is Paul Mellon Professor in the History of Art at Yale University. Gillian Forrester is senior curator of historic fine art at the Whitworth Art Gallery, Manchester. Jennifer Raab is assistant professor in the history of art at Yale University. Sophie Lynford and Nicholas Robbins are doctoral candidates in the history of art at Yale University.