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Picasso

Drawing to Infinity

Anne Lemonnier Johan Popelard

$115

Hardback

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English
Prestel Verlag
01 August 2024
Fifty years after Picasso's death, this magnificent collection of drawings offers a career-spanning tour of the artist's brilliant and dynamic use of line and a window into the heart and soul of the most prolific aspect of his œuvre.

From his early studies to his final works, drawing was, for Picasso, an ever-renewing exploration of the powers of the line. Comprising over three hundred reproductions from his massive oeuvre, this collection features both well-received and rarely seen works, as well as images from his extraordinary notebooks. It features fifty penetrating essays that examine the themes, symbols and techniques that echo throughout Picasso's career- from monsters, crucifixions, and self-portraits to crayon, cross- hatching, and ink. It includes book illustrations and plans for sculptures; color and figure studies; collage and journal entries. Stunning full-color reproductions allow readers to appreciate the enormous inventiveness and diversity of Picasso's work, from serpentine lines to hatched drawing, from the delicate nuances of pastel to the deep blacks of ink.

Accompanying the largest-ever exhibition of Picasso's drawings and engravings, this gorgeous volume is a must-have for students and fans of one of the greatest artists of the modern era.

AUTHORS: Anne Lemonnier is Assistant Curator at the Musée national d'art moderne, Centre Pompidou, Paris.

Johan Popelard is Curator at the Musée national Picasso-Paris.

350 illustrations
By:   ,
Imprint:   Prestel Verlag
Country of Publication:   Germany
Dimensions:   Height: 267mm,  Width: 210mm, 
Weight:   567g
ISBN:   9783791377254
ISBN 10:   3791377256
Pages:   304
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Hardback
Publisher's Status:   Unspecified

Anne Lemonnier is Assistant Curator at the Musée national d’art moderne, Centre Pompidou, Paris. Johan Popelard is Curator at the Musée national Picasso-Paris.

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