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Dawn Ades is Professor Emerita of the History and Theory of Art at the University of Essex. She has written extensively on Dada, Surrealism, photography and women artists, among other things. Publications include Dada and Surrealism Reviewed (1978), Photomontage (1976), Dalí (1995), Writings on Art and Anti-Art (2015) and Marcel Duchamp (with Neil Cox and David Hopkins, 2021). Among the exhibitions she has organised or co-organised are 'Art in Latin America' (1989); 'Fetishism: Visualising Power and Desire' (1995); 'Salvador Dalí: The Centenary Retrospective' (2004); 'Undercover Surrealism' (2006); and 'Dalí/Duchamp' (2017-18).
'A valuable service to art and artistic theory, and to history and social studies as well' - The Times Literary Supplement 'An excellent run-down of this most opportunist of twentieth-century art forms' - Observer 'Beautifully lucid and precise … packed with information and insight' - Time Out 'An interesting look at an unusual topic' - Amateur Photographer
Secrets of the Seas
A Journey into the Heart of the...
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Photography and Resistance
Securing the Evidence in Nazi-Occupied...
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The breaking of a wave cannot explain...
The beauty of beaches
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Creative and Experimental Photography...
Art and Techniques
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