Performing the Ramayana Tradition: Enactments, Interpretations, and Arguments

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Paula Richman (William H. Danforth Professor Emerita of South Asian Religions, William H. Danforth Professor Emerita of South Asian Religions, Oberlin College) Rustom Bharucha (Professor of Theatre and Performance Studies, Professor of Theatre and Performance Studies, Jawaharlal Nehru University, New Delhi, India)

Performing the Ramayana Tradition

Enactments, Interpretations, and Arguments

Paula Richman (William H. Danforth Professor Emerita of South Asian Religions, William H. Danforth Professor Emerita of South Asian Religions, Oberlin College), Rustom Bharucha (Professor of Theatre and Performance Studies, Professor of Theatre and Performance Studies, Jawaharlal Nehru University, New Delhi, India)

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English

Oxford University Press Inc
14 October 2021

Folk dancing; Sacred & religious music; Hinduism

The Ramayana, one of the two pre-eminent Hindu epics, has played a foundational role in many aspects of India's arts and social norms. For centuries, people learned this narrative by watching, listening, and participating in enactments of it. Although the Ramayana's first extant telling in Sanskrit dates back to ancient times, the story has continued to be retold and rethought through the centuries in many of India's regional languages, such as Hindi, Tamil, and Bengali. The narrative has provided the basis for enactments of its episodes in recitation, musical renditions, dance, and avant-garde performances. This volume introduces non-specialists to the Ramayana's major themes and complexities, as well as to the highly nuanced terms in Indian languages used to represent theater and performance.

Two introductions orient readers to the history of Ramayana texts by Tulsidas, Valmiki, Kamban, Sankaradeva, and others, as well as to the dramaturgy and aesthetics of their enactments.

The contributed essays provide context-specific analyses of diverse Ramayana performance traditions and the narratives from which they draw. The essays are clustered around the shared themes of the politics of caste and gender; the representation of the anti-hero; contemporary re-interpretations of traditional narratives; and the presence of Ramayana discourse in daily life.

Edited by: Paula Richman (William H. Danforth Professor Emerita of South Asian Religions William H. Danforth Professor Emerita of South Asian Religions Oberlin College), Rustom Bharucha (Professor of Theatre and Performance Studies, Professor of Theatre and Performance Studies, Jawaharlal Nehru University, New Delhi, India)
Imprint: Oxford University Press Inc
Country of Publication: United States
Dimensions: Height: 160mm, Width: 243mm, Spine: 27mm
Weight: 685g
ISBN: 9780197552506
ISBN 10: 0197552501
Pages: 378
Publication Date: 14 October 2021
Audience: Professional and scholarly , Undergraduate
Format: Hardback
Publisher's Status: Active

"Preface and Acknowledgements: The Journey of the Book List of Illustrations Note on Transliteration I. Orientations and Beginnings 1. The Ramayana Narrative Tradition as a Resource for Performance Paula Richman 2. Thinking the Ramayana Tradition through Performance Rustom Bharucha 3. Where Narrative and Performance Meet: Nepathya's R=am=aya.na Sa.mk.s=epam Rizio Yohannan II The Politics of Caste 4. Shambuk's Severed Head by Omprakash Valmiki Translation by Aaron Sherraden 5. Recasting Shambuk in Three Hindi Anti-Caste Dramas Aaron Sherraden 6. The Killing of Shambuk: A Retelling from a Director's Perspective Sudhanva Deshpande III Interrogating the Anti-Hero 7. Ravana Center Stage: Origins of Ravana and King of Lanka Paula Richman 8. Ravana as Dissident Artist: The Tenth Head and Ravanama Rustom Bharucha 8a. Script of The Tenth Head Vinay Kumar 8b. Script of Ravanama Maya Krishna Rao IV Performing Gender 9. The Making of RamaRavana: Reflections on Gender, Music, and Staging Hanne M. de Bruin 10. Writing Her ""Self"": The Politics of Gender in Nangyarkuttu Mundoli Narayanan V Conversations and Arguments 11. Reflections on Ramayana in Kutiyattam David Shulman, Margi Madhu Chakyar, Dr. Indu G. with Rustom Bharucha 12. Questions around Ram Vijay: Sattriya in a Monastic Tradition Sri Narayan Chandra Goswami with Parasmoni Dutta, Paula Richman, and Rustom Bharucha 13. Performing the Argument: Ramayana in Talamaddale Akshara K.V. VI Beyond Enactment 14. Revisiting ""Being Rama"": Playing a God in Changing Times Urmimala Sarkar Munsi 15. The Night Before Bhor Arti: Play and Banarasipan in the Ramnagar Ramlila Bhargav Rani 16. The Challenges Ahead: Researching the Ramayana Performance Tradition Rustom Bharucha Glossary List of Contributors Index"

Paula Richman is William H. Danforth Professor of South Asian Religions, Emerita, at Oberlin College, in Ohio. She has edited three volumes and published more than thirty articles on the diversity of the Indian Ramayana tradition. Rustom Bharucha retired as Professor of Theatre and Performance Studies at Jawaharlal Nehru University, New Delhi, India. Author of several books on performance, he has also worked as a dramaturg worldwide and was involved in the curation of three Ramayana Festivals at the Adishakti Theatre Laboratory in Puducherry, India.

Reviews for Performing the Ramayana Tradition: Enactments, Interpretations, and Arguments

Richman and Bharucha's collaboration on this volume of edited essays represents simultaneously a culmination of these research directions, and a corrective, steering towards a more balanced representation beyond the more extensively studied Sanskrit and Hindi Ramayanas...Apart from the masterful introductions and conclusion, there are several further features that render this reader friendly volume perfect for teaching. The inclusion of translations of several dramas makes scripts available for students to perform or draw inspiration from for creative writing. The parts on caste and gender are important for integrating diversity into the curriculum. * Reading Religion * Paula Richman and Rustom Bharucha are the perfect combination to explore the ideas that are brought together [in this book] -- Richman with her vast and varied knowledge of the many Ramayana stories that dot the sub-continent and beyond, and Bharucha, with his lifelong commitment to dramaturgy and the diverse performance traditions that animate some of our best known and most loved stories ... The book's greatest importance lies in the feeling of security it generates -- that the traditions of subversive and contentious narratives that we fear losing are, in fact, robust and strong. * Arshia Sattar, The Hindu * The book's most significant contribution to studies of the Ramayana would be its context-specific analyses of the case studies, the range of performance traditions engaged, and the multiplicity of voices. This breadth and diversity - of texts, examples and issues - are counterpointed by the editors' and contributors' meticulous attention to environments and conditions... [The book] performs its message of pluralism, in its mode, form and concerns. * Theatre Research International *