Performing Postracialism provides an in-depth investigation of contemporary blackface incidents in Canada and its educational institutions.
By:
Philip S.S. Howard
Imprint: University of Toronto Press
Country of Publication: Canada
Dimensions:
Height: 229mm,
Width: 152mm,
Spine: 25mm
Weight: 1g
ISBN: 9781487507671
ISBN 10: 1487507674
Pages: 264
Publication Date: 14 April 2023
Audience:
College/higher education
,
Primary
Format: Hardback
Publisher's Status: Active
Introduction: Genesis and Intentions Part I: Blackface in the Context of the Canadian Settler-Colonial Nation State 1. Contemporary Blackface in Canada as Performance of Antiblackness 2. What’s the Joke?: The Black Body as White Pleasure in Canadian Blackface 3. Defending Blackface: Performing the “Progressive,” Postracialist Canadian 4. Pornotroping Performances: Overt Violence, Un/Gendering, and Sex in Contemporary Blackface Part II: Blackface in Education Contexts in Canada 5. Blackface at University: The Antiblack Logics of Canadian Academia 6. “Making Them Better Leaders”: The Pedagogical Imperative, Institutional Priorities, and the Attenuation of Black Anger 7. Learning to Get Along at School, or Antiblack Postracialism through Multicultural Education 8. The Costs of Belonging for International Students 9. Fugitive Learning: Countering Postracialism and Making Black Life at University
Philip S.S. Howard is an associate professor in the Department of Integrated Studies in Education at McGill University.
Reviews for Performing Postracialism: Reflections on Antiblackness, Nation, and Education through Contemporary Blackface in Canada
Against the mirage of Canada as a postracialist promised land, Philip S.S. Howard provides an exhaustive mediation on blackface incidents in Canadian universities and beyond as indicative of the manifold afterlives of slavery that we all inhabit. Both path-breaking and original, Performing Postracialism is a trenchantly timely book. - Alexander Ghedi Weheliye, Professor of African American Studies, Northwestern University The sticky persistence of race and racism comes under significant scrutiny in Performing Postracialism. Taking the practice of blackface as its starting point, Howard powerfully demonstrates how ideas about Black people and Blackness embedded in blackface not only shapes Black peoples' lives, but also structures practices and institutional forms of dominance in Canada and beyond. This work is a major reminder that blackface remains not only present with us, but that it underwrites our current encounters, especially so in educational contexts which are among the most potent for fashioning futures for continued injustice and potential justice. Performing Postracialism is a necessary and urgent account of the persistence of raciological thinking as a founding technology of Canadian-ness. - Rinaldo Walcott, author of The Long Emancipation: Moving Toward Black Freedom