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Performance Spaces and Stage Technologies

A Comparative Perspective on Theatre History

Hans Joachim Dethlefs Yuji Nawata

$57.95

Paperback

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English
Transcript Verlag
27 March 2022
Series: Theatre Studies
The history of theatre has often been written as a history of great writers, actors, or directors. This book takes a different approach: The contributors examine the history of performance from the perspective of theatre spaces and stage technologies. Art, literature, religion, law, urbanism, architecture, technology - this interdisciplinary book discusses how these fields relate to theatre and performance. Geographically, it covers a significant portion of the globe; chronologically, it ranges from ancient times to the present. This book provides a timely attempt to combine cultural and global history.
Edited by:   ,
Imprint:   Transcript Verlag
Country of Publication:   Germany
Dimensions:   Height: 23mm,  Width: 15mm, 
ISBN:   9783837661125
ISBN 10:   3837661121
Series:   Theatre Studies
Pages:   176
Publication Date:  
Audience:   Professional and scholarly ,  Undergraduate
Format:   Paperback
Publisher's Status:   Active

Yuji Nawata, born in 1964, studied German literature at the University of Tokyo, where he completed his PhD in 1994. He was habilitated in culture science at Humboldt-Universität zu Berlin in 2011. Since 2002, he has been a professor at the Department of German Studies of Chuo University in Tokyo. Hans Joachim Dethlefs, born in 1952, received his doctorate from Philipps-Universität Marburg and works as a professor at the Department of German Studies at Chuo University, Tokyo. Publications, among others, include the following: »Der Wohlstand der Kunst: Ökonomische, sozialethische und eudämonistische Sinnperspektiven im frühneuzeitlichen Umgang mit dem Schönen« (Tokyo 2010). His research focuses on the evolution of Northern European art terminologies following Italian art theory.

Reviews for Performance Spaces and Stage Technologies: A Comparative Perspective on Theatre History

»The book [...] offers an eclectic selection of essays that offer valuable insights into East Asian performance practices alongside interesting intercultural perspectives by Japanese authors who look at European material with a fresh eye.« Pascale Ebischer, Technology and Culture, 64/4 (2023) Besprochen in: bühnentechnische rundschau, 4 (2022)


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