Paper in Medieval England

From Pulp to Fictions

Orietta Da Rold (University of Cambridge)

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English

Cambridge University Press
03 November 2022

Series: Cambridge Studies in Medieval Literature

Orietta Da Rold provides a detailed analysis of the coming of paper to medieval England, and its influence on the literary and non-literary culture of the period. Looking beyond book production, Da Rold maps out the uses of paper and explains the success of this technology in medieval culture, considering how people interacted with it and how it affected their lives. Offering a nuanced understanding of how affordance influenced societal choices, Paper in Medieval England draws on a multilingual array of sources to investigate how paper circulated, was written upon, and was deployed by people across medieval society, from kings to merchants, to bishops, to clerks and to poets, contributing to an understanding of how medieval paper changed communication and shaped modernity.

By: Orietta Da Rold (University of Cambridge)
Imprint: Cambridge University Press
Country of Publication: United Kingdom
Dimensions: Height: 228mm, Width: 151mm, Spine: 15mm
Weight: 450g
ISBN: 9781108814287
ISBN 10: 110881428X
Series: Cambridge Studies in Medieval Literature
Pages: 295
Publication Date: 03 November 2022
Audience: Professional and scholarly , College/higher education , Undergraduate , Further / Higher Education
Format: Paperback
Publisher's Status: Active

Dr Orietta Da Rold is Lecturer in Literature and Material Text, 1100 to 1500 at the University of Cambridge. She is the Co-Director (with Elaine Treharne) of the successful AHRC-funded project and e-book, English Manuscripts 1060 to 1220 and is currently editing the Cambridge Companion to British Manuscripts with Elaine Treharne.

Reviews for Paper in Medieval England: From Pulp to Fictions

'Paper in Medieval England is a learned and judicious book, underpinned by Da Rold's deep and broad reading. While its argument offers several thoughtful interventions that will invite paleographers, cultural historians, and literary scholars to revisit some of their assumptions about paper, the real value of this monograph is more fundamental still: Da Rold's study restores paper to its rightful place in literary history.' Sebastian Sobecki, Speculum 'This is the great merit of Da Rold's book: it is a truly interdisciplinary study of paper in medieval England.' Joan A. Holladay, Manuscript Studies