Jim Endersby is a reader in the history of science at the University of Sussex. He is the author of A Guinea Pig's History of Biology and Imperial Nature: Joseph Hooker and the Practices of Victorian Science.
Endersby has written an engaging and enlightening account of one of the Earth's most mythologized botanical wonders. --Richard Conniff, author of House of Lost Worlds Weaves a clever course between science and fiction. . . . Endersby has provided an engrossing series of stories, engagingly told. --Times Literary Supplement Few orchid books are as fascinating as this. Endersby explores the grip of these exotic flowers on the human imagination, reflected in literature from antiquity. Their beauty has appealed to a gamut of emotions - romance, lust, avarice, jealousy - and no other plant family has become so deeply embedded in fiction and poetry. Melding art and science, this original title reminds us that the destruction of biodiversity also inflicts damage on our shared culture, a fundamental attribute of human existence. --BBC Wildlife Lively, gripping. --Sunday Times Traces the story of our fascination with these elegant flowers. --Daily Mail An orchid thriller. Orchids are beautiful, strange, savage, sexy, mysterious, luxurious and expensive rarities. From H. G. Wells to Susan Orlean, and even James Bond movies, orchids turn up everywhere. Explorers have died searching for new orchids in faraway steamy jungles. Endersby traces the history of our scientific understanding of orchids, and their culture, from the Greeks to present orchid enthusiasts. You won't be able to put down this lavishly illustrated and fascinating book. --Stephen Buchmann, author of The Reason for Flowers Endersby will convince you that the only things odder than orchid flowers are the minds of male humans. Although botanists, horticulturists and Charles Darwin blew away thousands of years of whacky folklore their facts were twisted, influencing many movies, detective novels and science fiction stories. The Victorian 'Language of Flowers' should be revised for the turn of the century until orchids become symbols of words like 'Contradiction' and 'Suspicion'. --Peter Bernhardt, author of Darwin's Orchids: Then and Now In this seductive and clever survey, Endersby brilliantly shows how the range of meanings attributed to the extraordinary and beautiful varieties of orchid emerged from fundamental features of European culture, from classical Greece to networked modernity. --Simon Schaffer, University of Cambridge This book captures the allure of orchids - and there is something for everyone, from complete beginner to more knowledgeable reader. For inquisitive readers there is a useful bibliography and list of notes at the end. The author manages to achieve his task in a compact, readable book: he is to be commended. --The Garden The history of the scientific understanding of the orchid is a core interest in this book. Endersby writes for multiple audiences, and with a clear and welcoming style, explaining terms along the way for those not fluent in botany-speak. --Annals of Science In this account, stories of how the mysterious orchid has gradually become known to science are inseparable from the peculiarities of orchid morphology and reproduction as much as from societal shifts in religion, class, gender, colonialism, and industrialization. Through this wide scope, from literature and cinema to herbaria specimens, from ancient Greek plant lore to today's pressing anxieties about climate change, Orchids raises important questions about how to account for the long expanses, complexities, and dramatic shifts of botanical history--and why it matters. It is at once eloquent, illuminating, accessible, and witty. --H-Net Reviews Orchid compellingly demonstrates that the cultural history of these plants is as strange, wonderful, and varied--and as full of sexual mystery--as orchids are themselves. The relationships between the stories of orchids told by scientists and those told by writers, filmmakers, collectors, and journalists prove to be, like the relationships between orchids and their pollinators, overwhelmingly cases of cross-fertilization. --Jonathan Smith, University of Michigan-Dearborn Featuring many gorgeous illustrations from the collection of the Royal Botanic Gardens, Kew, Orchid: A Cultural History tells, for the first time, the extraordinary story of orchids and our prolific interest in them. It is an enchanting tale not only for gardeners and plant collectors, but anyone curious about the flower's obsessive hold on the imagination in history, cinema, literature, and more. --Pollinia In his book Orchid: a Cultural History, Jim Endersby explains how people ate orchid roots in a dish, ground them up and drank them in wine or goat's milk -- to incite lust or suppress it; to have male children or female children or none at all. In ancient Thessaly, they were rumoured to use orchid roots to both cure and cause venereal disease. Pity the poor orchid for being so misunderstood! There are still orchids blooming on the shores of the Mediterranean, and if you look at what they're doing, a separate, intricate world is revealed. The flowers are advertising sex alright -- just not with us in mind! --CBC Radio Orchid: A Cultural History explores the associations that have endowed this flower with significance, and describes how the orchid's identity has run the gamut from romance and seduction to decadence and cunning. Endersby understands the importance of making science accessible to a general audience, and in Orchid he initially grabs readers' attention by emphasizing the plant's historic identity as an aphrodisiac. --The Weekly Standard