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Lucy Sante was born in Verviers, Belgium, and is the author of ten books, her first being Low Life. Sante's other books include Evidence, The Factory of Facts, Kill All Your Darlings, The Other Paris, Folk Photography, Maybe the People Would Be the Times, and I Heard Her Call My Name. She is the recipient of a Whiting Award, Guggenheim and Cullman fellowships, an Award in Literature from the American Academy of Arts and Letters, a Grammy (for album notes), and an Infinity Award for Writing from the International Center of Photography. Sante has contributed to the New York Review of Books since 1981 and to many other publications. She recently retired after twenty-four years teaching at Bard College.
"[A] rewarding study [of] the history of New York City's reservoirs and the displacement that followed the city's increasing demand for water . . . well-crafted prose, rich archival illustrations, and eye-catching photographs of the reservoirs make this memorable. The chronicle is anything but dry.-- ""Publishers Weekly"" [Sante] is an endlessly curious writer with a sharp wit and an elegant prose style . . . As a physical object, the book is a stunner, loaded with maps, archival stills of the construction process, vintage postcards, and ads warning New Yorkers to check their plumbing and 'stop that leak!'-- ""The Wall Street Journal"" [The] larger underlying subject, typical of this author, has less to do with the intrusion of a quasi-military bully than with the way the more or less effaced past continues to haunt the oblivious march of progress. . . . Sante has performed a valuable service in raising hard questions about [the reservoir system's] mixed legacy.--Phillip Lopate, The New York Review of Books A meditation, a forensic accounting of the damage the reservoir system did and how it still resonates. Sante is expert in the excavation of neglected and buried histories.-- ""The New Republic"" An eye-opening tale of the greed and corruption but also diplomacy and ingenuity involved in creating the system now taken for granted.--The Washington Post, Best Nonfiction of 2022 Lucy Sante is an essential guide into the underreported history of cities around the world. For her new book, Nineteen Reservoirs, she explores something that you might not have thought about prior to now: at what cost did New York City get its supply of fresh water? It's a fascinating look at the effect this process had on the Hudson River Valley and the communities based there, then and now.-- ""InsideHook"" Lucy Sante's book is both an ode to a lost world and a celebration of an achievement that is a marvel of engineering. The conflict between urban and rural, rich and poor, is poignant without becoming melodramatic, a tribute to Sante's fine prose, archival pictures, and the present-day photos taken by Tim Davis. The publisher also deserves credit for producing such a beautiful and well-designed volume.--Graydon Carter's Air Mail The prose is crystalline and the pages are richly illuminated with maps, adverts, and period photography. . . . The visual matter serves to further accentuate the intractable issue at the heart of this book: how to help an urban population without utterly destroying a rural one.-- ""Chicago Reader"" A Washington Post Best Nonfiction Book of 2022 An Indie Bestseller ""Sante's writing has an unmistakable and addictive tone. . . . Nineteen Reservoirs is a beautiful object--the period photographs and postcards are expertly reproduced and glow with feeling, and the book concludes with an apposite photo essay by Tim Davis. --Dwight Garner, The New York Times I would recommend Nineteen Reservoirs.--Darryl Pinckney, Vanity Fair"
