Phillip Lopate is the author of many acclaimed books, including the essay collections Bachelorhood, Against Joie de Vivre, and Portrait of My Body and the novels The Rug Merchant and Confessions of Summer. He is the editor of several anthologies of essays. Lopate taught for many years in the Writing Program at Columbia University School of the Arts.
[A] splendid collection . . . The essays breeze by, enlivened by Lopate’s punchy prose and palpable love of cinema. Cinephiles will cherish this. * Publishers Weekly * Erudite and comprehensible, this invitation to cinematic culture, just like encounters with many films, rewards repeat customers. * Library Journal * Phillip Lopate is the model of the eloquent and incisive critic. His expertise in the personal essay gives his film criticism the depth and precision of finely crafted literature. He brings to the task a keen intelligence, broad knowledge, and a sympathetic warmth rare on the contemporary scene. He never promotes himself at the expense of the film at hand, but his willingness to admit his tastes (and to change his mind) shows a true humanistic sensibility at work. Every serious film admirer will value this book as an ideal guide to the treasures of arthouse cinema. -- David Bordwell, author of <i>Perplexing Plots: Popular Storytelling and the Poetics of Murder</i> In this superb collection, Phillip Lopate goes where passion has taken him, which luckily for us is unbounded by the requirements and format of any single publication. My Affair with Art House Cinema combines some of the idiosyncratic notes of the personal essay with an easy command of film history, enhanced by Lopate's typically astute analysis of the way visual and compositional choices inform directorial sensibility. A treasure trove of a book which invites us to rethink the masterpieces of art house cinema and make acquaintance with unknown gems. -- Molly Haskell, author of <i>Steven Spielberg: A Life in Films</i> Phillip Lopate's wonderfully written first-person film criticism is warm and affectionate, as well as smart and knowledgeable. Lopate is a scholar and a gentleman—even if, a true cinephile, he does like to kiss and tell. -- J. Hoberman, author of <i>Film After Film: Or, What Became of 21st Century Cinema?</i> Phillip Lopate is a convivial movie date, and his film essays have the poetry—and punch—of legendary sports reporters. For him, though, cinephilia is less a sport than a faith. Lopate's My Affair with Art House Cinema spans the last quarter-century of work by the likes of Chantal Akerman and Ingmar Bergman to Francois Truffaut and Frederick Wiseman. As he writes about the rhythms, themes, and framing of the movies he loves, his passion is contagious. -- Carrie Rickey, author of <i>A Complicated Passion: The Life and Work of Agnès Varda</i> His criticism is, dare one say it, adult . . . Lopate writes with an inviting brio, shaping complicated suppositions with a fluidity that doesn’t call attention to itself. -- Mario Naves * New York Sun * Lopate is one of the best film critics we have, as well as being a prolific author and personal essayist (his forte) who writes widely about topics other than film. Despite his encyclopedic film knowledge, he brings the freshness and curiosity of an amateur and the passion of a lover to his writing about movies. * DavidSchwartz.com *