Music of the Renaissance

Imagination and Reality of a Cultural Practice

Laurenz Lütteken, James Steichen, Christopher Reynolds

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English

University of California Press
12 February 2019

Renaissance art; Music reviews & criticism; Western "classical" music; Early modern history: c 1450 to c 1700

Where previous accounts of the Renaissance have not fully acknowledged the role that music played in this decisive period of cultural history, Laurenz Lütteken merges historical music analysis with the analysis of the other arts to provide a richer context for the emergence and evolution of creative cultures across civilizations. This fascinating panorama foregrounds music as a substantial component of the era and considers musical works and practices in a wider cultural-historical context. Among the topics surveyed are music's relationship to antiquity, the position of music within systems of the arts, the emergence of the concept of the musical work, as well as music's relationship to the theory and practice of painting, literature, and architecture. What becomes clear is that the Renaissance gave rise to many musical concepts and practices that persist to this day, whether the figure of the composer, musical institutions, and modes of musical writing and memory.

By: Laurenz Lütteken
Foreword by: Christopher Reynolds
Translated by: James Steichen
Imprint: University of California Press
Country of Publication: United States
Dimensions: Height: 229mm, Width: 152mm, Spine: 25mm
Weight: 499g
ISBN: 9780520297906
ISBN 10: 0520297903
Pages: 248
Publication Date: 12 February 2019
Audience: Professional and scholarly , Undergraduate
Format: Hardback
Publisher's Status: Active

Laurenz Lütteken is Professor of Musicology at the University of Zurich. He is is general editor of MGG Online and the author of Richard Strauss: Musik der Moderne and Mozart: Leben und Musik im Zeitalter der Aufklärung.

Reviews for Music of the Renaissance: Imagination and Reality of a Cultural Practice

Music of the Renaissance is a fascinating discourse on the cultural and aesthetic relationships that characterize musical thought and practice from roughly the fifteenth to the seventeenth centuries. ...It is a brilliant piece of work that packs a world of information into a relatively slim volume. HIGHLY RECOMMENDED. * Journal of the Anglican Association of Musicians *