This volume shows music educators how music teaching and learning can help address humanity’s greatest challenge—the ecological crisis. It provides the essential background knowledge in ecomusicology, from compositions about nature, soundscape experiences, activist songs, to practical lesson ideas.
Motivated by the urgent need for increased ecological awareness and sustainable practices, and the ecological aspects of music and musical aspects of ecosystems, the book explores the powerful role that music educators can play in protecting and preserving the natural environment. Each chapter includes a narrative and potential lesson ideas that include listening, singing, playing instruments, moving, and contextualizing, with the goal of translating research in ecomusicological theory into a sustainable, creative, and critical music teaching practice.
Bridging the gap between recent scholarship and pedagogical work, this book will be a valuable resource for educators, P–12 classroom teachers, and music specialists, as well as in undergraduate music education methods courses.
Part 1: Introduction Introduction 1. Definitions Part 2: Ideas for Music in General 2. Satis Coleman’s Environmental Pedagogy 3. Community 4. Ecofeminist Considerations 5. The Elements of Music 6. Improvising and Composing with Nonhuman Species 7. Responding to Ecological Catastrophe Part 3: Ideas for Performing Ensembles 8. Bands and Orchestras 9. Choirs 10. General Music 11. Popular Ensembles Part 4: Concluding Thoughts 12. Spirituality 13. Rurality, Capital, Commons 14. Going Beyond Our Current Politics
Daniel J. Shevock is Music Teacher at Central Mountain Middle School, Mill Hall, PA. Vincent C. Bates is Professor of Teacher Education at Weber State University.