Music History and Cosmopolitanism

Introduction Anastasia Belina, Kaarina Kilpiö and Derek B. Scott. Part 1 Music and Cosmopolitanism in the Nineteenth Century 1. Mark Everist (University of Southampton), Cosmopolitanism and Music for the Theatre: Europe and Beyond, 1800–1870. 2. Ingeborg Zechner (University of Salzburg), Cosmopolitanism in Nineteenth-Century Opera Management. 3. David Brodbeck (University of California, Irvine), Carl Goldmark and Cosmopolitan Patriotism. 4. José Manuel Izquierdo (University of Cambridge), The Cosmopolitan Muse: Searching for a Musical Style in Early-Nineteenth-Century Latin America. Part 2 Music and Cosmopolitanism in the Twentieth Century 5. Franco Fabbri (University of Turin), An ‘intricate fabric of influences and coincidences in the history of popular music’: Reflections on the Challenging Work of Popular Music Historians. 6. Björn Heile (University of Glasgow), Mapping Musical Modernism.7. Anastasia Belina (Royal College of Music, London), André Tchaikowsky (1935–1982): A Cosmopolitan in a Closet. 8. Sarah Collins (University of New South Wales, Australia): The Elision of Difference, Newness and Participation: Edward J. Dent’s Cosmopolitan Ethics of Opera Performance. Part 3 Music and Urban Cosmopolitanism 9. Risto Pekka Pennanen (University of Tampere, Finland): Tip, Trinkgeld, Bakšiš: Cosmopolitan and Other Strategies of Touring Music Groups before the Great War in Sarajevo. 10. Saijaleena Rantanen & Olli Heikkinen (University of the Arts, Helsinki), Musicians as Cosmopolitan Entrepreneurs: Orchestras in Finnish Cities before the Modern City Orchestra Institution. 11. Yvonne Liao (King’s College London), ‘A Foreign Cosmopolitanism’: Treaty Port Shanghai, Ad Hoc Municipal Ensembles, and an Epistemic Modality.