This book explores the place of art in Latter-day Saint society during the first 50 years of the Utah settlement, beginning in 1847.
Nathan Rees uncovers the critical role that images played in nineteenth-century Mormon religion, politics, and social practice. These artists not only represented, but actively participated in debates about theology, politics, race, gender, and sexuality at a time when Latter-day Saints were grappling with evolving doctrine, conflict with Native Americans, and political turmoil resulting from their practice of polygamy.
The book makes an important contribution to art history, Mormon studies, American studies, and religious studies.
By:
Nathan Rees (University of West Georgia) Imprint: Routledge Country of Publication: United Kingdom Dimensions:
Height: 246mm,
Width: 174mm,
Weight: 571g ISBN:9780367271770 ISBN 10: 036727177X Series:Routledge Research in Art and Religion Pages: 166 Publication Date:18 March 2021 Audience:
College/higher education
,
Professional and scholarly
,
Primary
,
Undergraduate
Format:Hardback Publisher's Status: Active
"1. Introduction 2. Visions and Visuality 3. Envisioning ""Lamanites"" 4. Painting the Promised Land 5. Scenes of Trial 6. Gender in Mormon Thought and Image 7. Representing Modern Mormonism"
Nathan Rees is Assistant Professor of Art History at the University of West Georgia.
