Mercyful Fate's Don't Break the Oath

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Professor or Dr. Henrik Marstal (Associate Professor, Rhythmic Music Conservatory in Copenhagen, Denmark)

Mercyful Fate's Don't Break the Oath

Professor or Dr. Henrik Marstal (Associate Professor, Rhythmic Music Conservatory in Copenhagen, Denmark)

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English

Bloomsbury Academic USA
21 April 2022

Rock & Pop music; Heavy Metal music; World music; Individual composers & musicians, bands & groups

Series: 33 1/3 Europe

Upon its release, Don't Break the Oath charted fifth on the official British heavy metal album list and was supported by a two month long sold-out American tour in early 1985. The band's controversial stage appearance with burning crosses, a microphone stand formed as a cross made of two human leg bones, as well as other blasphemous rituals attracted the attention of the then newly formed PRMC (Parental Resource Music Center) committee, ironically reassuring the band its position on the charts. But though the album was hugely popular in the anglophone metal scene, it was conceived in peripheral Denmark.

This book discusses the relationship between center and periphery. It juxtaposes the Anglophone reticent of heavy metal with the rather marginalized location of Copenhagen, and examines Mercyful Fate's relation to the Nordic region more generally. It also takes a close look at the methods involved in the production of King Diamond's vocals, and emphasizes the role of the vocalist as just as an important part of the over-all soundscape as the instrumental contributions.

By: Professor or Dr. Henrik Marstal (Associate Professor Rhythmic Music Conservatory in Copenhagen Denmark)
Imprint: Bloomsbury Academic USA
Country of Publication: United States
Dimensions: Height: 197mm, Width: 127mm,
ISBN: 9781501354373
ISBN 10: 150135437X
Series: 33 1/3 Europe
Pages: 152
Publication Date: 21 April 2022
Audience: College/higher education , Primary
Format: Paperback
Publisher's Status: Active

Figures Acknowledgments Tracklisting A note to the reader 1. Introduction: A broken yet completed circle 2. Sounds, atmospheres and 43 minutes of not breaking the Oath 3. The satanic endeavors: Intentional transgressions and antinomian discourses 4. Diabolus in musica and other musical modes of symbolic Satanism 5. Unmasking the masks of masculinities:(Dis)appearances of the paint mask 6. Queer-Satanism galore: Otherings of the Oath 7. Conclusion: Rewriting the Heavy Metal canon of hegemonic masculinity Notes References Index

Henrik Marstal, PhD, is an Associate Professor at the Rhythmic Music Conservatory in Copenhagen, Denmark, and a musician and producer of alternative rock and electronica. He has been a member of Danish Arts Foundation and is a well-known columnist.