Memorials to Shattered Myths: Vietnam to 9/11

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Harriet F. Senie (Professor of Contemporary American Art, Professor of Contemporary American Art, The Graduate Center, City University of New York)

Memorials to Shattered Myths

Vietnam to 9/11

Harriet F. Senie (Professor of Contemporary American Art, Professor of Contemporary American Art, The Graduate Center, City University of New York)

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English

Oxford University Press Inc
10 March 2016

History of the Americas; Social & cultural history; Memorials & rolls of honour

Memorials to Shattered Myths: Vietnam to 9/11 traces the evolution and consequences of a new hybrid paradigm, which grants a heroic status to victims of national tragedies, and by extension to their families, thereby creating a class of privileged participants in the permanent memorial process. Harriet F. Senie suggests that instead the victims' families be able to determine the nature of an interim memorial, one that addresses their needs in the critical time between the murder of their loved ones and the completion of the permanent memorial. She also observes that the memorials discussed herein are inadvertently based on strategies of diversion and denial that direct our attention away from actual events, and reframe tragedy as secular or religious triumph. In doing so, they camouflage history, and seen as an aggregate, they define a nation of victims, exactly the concept they and their accompanying celebratory narratives were apparently created to obscure.

Arranged by (music): Harriet F. Senie (Professor of Contemporary American Art Professor of Contemporary American Art The Graduate Center City University of New York)
Imprint: Oxford University Press Inc
Country of Publication: United States
Dimensions: Height: 234mm, Width: 160mm, Spine: 18mm
Weight: 454g
ISBN: 9780190248406
ISBN 10: 0190248408
Pages: 272
Publication Date: 10 March 2016
Audience: College/higher education , A / AS level , Further / Higher Education
Format: Paperback
Publisher's Status: Active

Harriet F. Senie is Director of the M.A. Program in Art History and Art Museum Studies at City College, City University of New York, and also teaches at the CUNY Graduate Center. She is the author of several books and numerous articles on public art, and is co-founder of the international organization Public Art Dialogue and co-editor of its journal, Public Art Dialogue.

Reviews for Memorials to Shattered Myths: Vietnam to 9/11

"""This richly informed account of recent memorials identifies a notable shift from honoring singular heroes to venerating the loss of civilian life. How this shift occurred and its national consequences are among the intriguing questions raised and answered in this landmark study."" -- Sally Webster, author of The Nation's First Monument and the Origins of the American Memorial Tradition ""What do we memorialize in America today, what-and who-is memorable? Harriet Senie's thoughtful and well researched book considers how many of the nation's contemporary memorials-from the Vietnam Veterans Memorial to the September 11 National Memorial-conflate violence and tragic loss with imperatives of collective unity and survival, denying the fissures in the American Dream and diverting Americans from imagining new and different futures.""-- Erika Doss, author of Memorial Mania: Public Feeling in America ""In this landmark exploration of public art, politics, and cultural landscape, Senie...considers how the concept of ""national memorial"" has shifted from recognition of political/military leaders and victories in war to visualization of collective identity that recognizes victims, their families, and a shared sense of loss...Supplemented by ample notes and black-and-white images, this articulate, thorough analysis of memorials and national identity is required reading for those interested in public art, public history, memorials, memory studies, and other related fields in the fine arts, liberal arts, and humanities...Summing Up: Essential."" -- CHOICE ""There are many good things in Memorials to Shattered Myths especially Senie's insightful interpretation of the modern phenomenon of spontaneous vernacular memorials, which arise on the site of tragic incidents ranging from fatal traffic crashes to random shootings and are quickly festooned with flowers, balloons, candles, stuffed animals, and handwritten tributes."" -- New York Review of Books"