Media Critique in the Age of Gillray

"""Media Critique in the Age of Gillray is a dazzling contribution to our understanding of British print culture, offering a compelling analysis of the enchantments, doublings, and spectral returns of the so-called 'paper age.' Traversing several disciplines with nuance and erudition and attentive always to the materiality of individual works, Monteyne shows how printed images were the site of the body's most profound erasure as well as its most dramatic reappearances."" - Richard Taws, Reader in History of Art, University College London ""Filled with ingenious insights and surprising juxtapositions, Media Critique in the Age of Gillray provides a masterful tour through the thoroughfares and back alleys of British art in the late eighteenth century. Cerebral in its meditations, the book never forgets the materials, labour, bodies, and politics that made, circulated, and imagined Romantic-era print in highly self-conscious ways."" - Matthew C. Hunter, Associate Professor of Art History, McGill University ""In Media Critique in the Age of Gillray, Joseph Monteyne invites us to take a new look at the cultural politics of the printed image. Through a series of dazzling and detailed interpretations of prints which reveal elements of their own making and materiality - black squares, smeared and scratched portraits, spectral presences, mirrorings, and scavenged pictures - he convincingly demonstrates how visual culture was troubled by the crises of representation attendant on a burgeoning mass media and new forms of money in the 'age of paper.'"" - Miles Ogborn, Professor of Geography, Queen Mary University of London ""This book is a remarkable and timely advance in state-of-the-art research, full of acute insights and carefully constructed arguments. It will find a broad readership given its groundbreaking historical and critical contributions to the history of communications, print culture, visual studies, and media theory that productively frame our current cultural moment, dominated as it is by exchanges via dematerialized social media."" - Lisa Pon, Professor of Art History, University of Southern California"