Mapping Impressionist Painting in Transnational Contexts

Emily C. Burns, Alice M. Rudy Price

$284

Hardback

Not in-store but you can order this
How long will it take?

Availability Information

We source books from suppliers in Australia and overseas. For books we don't currently have in stock, the time it takes to get them from our suppliers can vary widely - from a few days to a few months - so we check each book with each supplier to determine the expected time it will take to be supplied to us.

We then advise you accordingly. If the time taken to get any book is too long for you, you can let us know and we will cancel or adjust your order, and refund as required.

To find out the anticipated arrival time for specific items prior to ordering, please contact us by phone or email:

Phone +61 2 9264 3111, or 1800 4 BOOKS (1800 4 26657) if outside Sydney:
option 1 Abbey's Bookshop (Crime, History, Science, Kids & more) • info@abbeys.com.au
option 2 Language Book Centre (ESL & Foreign Languages) • language@abbeys.com.au
option 3 Galaxy Bookshop (Sci-fi, Fantasy, Romance, Graphic Novels) • sf@galaxybooks.com.au

QTY:

English

Routledge
03 May 2021

Art & design styles: Impressionism & Post-Impressionism; Painting & paintings; European history; Modern history to 20th century: c 1700 to c 1900; Colonialism & imperialism

Series: Routledge Research in Art History

This book offers microhistories related to the transnational circulations of impressionism in the late nineteenth and early twentieth centuries.

The contributors rethink the role of ""French"" impressionism in shaping these iterations by placing France within its global and imperialist context and arguing that impressionisms might be framed through the mobility studies’ concept of ""constellations of mobility."" Artists engaging with impressionism in France, as in other global contexts, relied on, responded to, appropriated, and resisted elements of form and content based on fluid and interconnected political realities and market structures. Written by scholars and curators, the chapters demand reconsideration of impressionism as a historical construct and the meanings assigned to that term.

This project frames future discussion in art history, cultural studies, and global studies on the politics of appropriating impressionism.

Edited by: Emily C. Burns, Alice M. Rudy Price
Imprint: Routledge
Country of Publication: United Kingdom
Dimensions: Height: 246mm, Width: 174mm,
Weight: 1.040kg
ISBN: 9780367490522
ISBN 10: 0367490528
Series: Routledge Research in Art History
Pages: 240
Publication Date: 03 May 2021
Audience: College/higher education , Primary , A / AS level
Format: Hardback
Publisher's Status: Active

Emily C. Burns is Associate Professor of Art History at Auburn University. Alice M. Rudy Price is Adjunct Instructor at Temple University, Tyler School of Art and Architecture and Thomas Jefferson University, College of Architecture and the Built Environment.