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McKenzie Wark is the author of The Beach Beneath the Street, Capital is Dead, Sensoria and General Intellect among other books. She teaches at the New School for Social Research and Eugene Lang College in New York City. In 2017, she came out as transgender. Since then she has published her more experimental trans autofiction Reverse Cowgirl (Semiotexte 2020) and a work that combines both memoir and literary criticism about Kathy Acker, Philosophy for Spiders (Duke UP, 2021). She also edited a special issue of eflux journal and the Critic's Page of Brooklyn Rail on trans |fem | aesthetics, both in 2021, cementing her place as a notable contributor to trans culture.
"Seeing the world unfold from the perspective of a self is easier than seeing that self as a particular folding-up of the world. MacKenzie Wark's special genius, in this wild ride across the late twentieth century and its aftermath, is to offer both perspectives at once, shimmying and shaking between the two with gleeful and brilliant abandon. -- Susan Stryker, author of <i>Transgender History</i> McKenzie Wark's account of her life to this point fuses friendship and history, love and ideas. Radically honest and beautifully light, her memoir offers brilliant and challenging ways of understanding how fluidly gender is actually lived by those who dare. Like all of her work, it's really a personal manifesto. I was inspired and energized reading this book. -- Chris Kraus, author of <i>I Love Dick</i> A capacious offering to transfeminine truth-witty and wild, soft and scathing, broken-hearted and open-hearted. Moving toward the future by excavating the past, Wark makes space for complexity, innovation, self- determination, and communal possibility in ""the sparkle of one's difference."" -- Mattilda Bernstein Sycamore, author of <i>The Freezer Door</i> In writing letters to former selves, mothers, lovers and others McKenzie Wark has captured life lived in and as transformation with rigour and poetry. From an oppressive but formative 1960s Australian childhood, to the physical and intellectual expansiveness of New York City in the 21st century, Wark witnesses her beginnings and endings, her coming and unbecoming. She is bracing, sharp, argumentative and tender all at once -- Sophie Cunningham, author of <i>The Devastating Fever</i> A sharp epistolary memoir about gender, family, disability, and age...Wark's analysis of gender, sexuality, and queerness is both ebullient and trenchant. * Kirkus Reviews * Sad and tender and sassy and smart. A love letter to life and transition, to the endless possibilities of the body and the mind, to love itself. -- Fiona Kelly McGregor, author of <i>Iris</i>"
