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Listening in the Field

Recording and the Science of Birdsong

Joeri Bruyninckx (Post-doctoral researcher, Maastricht University)

$85

Hardback

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English
Massachusetts Inst of Tec
27 April 2018
The transformation of sound recording into a scientific technique in the study of birdsong, as biologists turned wildlife sounds into scientific objects.

Scientific observation and representation tend to be seen as exclusively visual affairs. But scientists have often drawn on sensory experiences other than the visual. Since the end of the nineteenth century, biologists have used a variety of techniques to register wildlife sounds. In this book, Joeri Bruyninckx describes the evolution of sound recording into a scientific technique for studying the songs and calls of wild birds and asks, what it means to listen to animal voices as a scientist.

The practice of recording birdsong took shape at the intersection of popular entertainment and field ornithology, turning recordings into objects of investigation and popular fascination. Shaped by the technologies and interests of amateur naturalism and music teaching, radio broadcasting and gramophone production, hobby electronics and communication engineering, birdsong recordings traveled back and forth between scientific and popular domains, to appear on gramophone recordings, radio broadcasts, and movie soundtracks.

Bruyninckx follows four technologies-the musical score, the electric microphone, the portable magnetic tape recorder, and the sound

spectrograph-through a cultural history of field recording and scientific listening. He chronicles a period when verbal descriptions, musical notations, and onomatopoeic syllables represented birdsong and shaped a community of listeners; later electric recordings struggled with notions of fidelity, realism, objectivity, and authenticity; scientists, early citizen scientists, and the recording industry negotiated recording exchange; and trained listeners complemented the visual authority of spectrographic laboratory analyses. This book reveals a scientific process fraught with conversions, between field and laboratory, sound and image, science and its various audiences.
By:  
Imprint:   Massachusetts Inst of Tec
Country of Publication:   United States
Dimensions:   Height: 229mm,  Width: 152mm,  Spine: 11mm
ISBN:   9780262037624
ISBN 10:   0262037629
Series:   Listening in the Field
Pages:   256
Publication Date:  
Recommended Age:   From 18 years
Audience:   Professional and scholarly ,  Undergraduate
Format:   Hardback
Publisher's Status:   Active

Reviews for Listening in the Field: Recording and the Science of Birdsong

“Listening in the Field is one of the best books of its kind, exploring an engaging and timely topic with a winning combination of focused research and pointed insights to show us the best of what the history of science has to offer.” –Technology and Culture


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