Lubomir Kocka has held the position of Professor of Film and Television at the Savannah College of Art and Design (SCAD) since 2002 and holds a Master of Fine Arts degree in Film and Television from the College of Muse and Dramatic Arts, Bratislava, Czechoslovakia. A native of Slovakia, Kocka is an award-winning director of nine feature films, seven TV series and miniseries, and over a dozen television dramas. His feature films include 'Fallacies of Our Traditional Morale' (1989) and 'Aphrodite' (1993), and the film 'The Lunch Box' he produced was the winner in the Narrative category for the Academy of Motion Picture Arts and Sciences 37th Annual Student Academy Awards in 2010. Kocka has previously published on the subject of film, television and new media directing in his innovative book 'Directing the Narrative and Shot Design: The Art and Craft of Directing' (Vernon Press, 2018).
Professor Lubomir Kocka is a consummate filmmaker and an exceptional educator. In Left or Right he clearly communicates how and why compelling visual storytelling can be achieved through camera movement and direction as well as the frame composition. I believe both students of film and veteran filmmakers will find this book to be an essential tool for conveying captivating visual narrative. Peter Weishar Professor, Director of Themed Experience University of Central Florida There are very few rules in film. The Left to right or often called the 180 degree rule is one of the few that has survived through generations of filmmakers. It's used to help orient the viewer in the film space and give a spatial relationship to the character and the importance of their positions. Though, even in the case of this rule, great directors like John Ford and Sam Peckinpah have broken it successfully many times. In his extremely complex book, Lubomir Kocka, director and film pedagogue, is not interested in this or any other rules or what he calls regularities . He goes much deeper into reading the left and right sides of the film image and the other visual narratives, but unlike many film textbooks, his approach is not mechanical. He provokes our curiosity and makes us collaborators in his unwavering pursuit. In this book, Kocka does not stop only at filmmaking but draws in the entire spectrum of creativity. As a director who has been making feature films for fifty years, and as a professor who has educated many generations of future directors, screenwriters and producers at various universities around the world, I can safely say that I will highly recommend this book to my colleagues and those who are on their way to embark on a professional life in film. Unique, interesting and well-composed book full of rare multidisciplinary knowledge. Rajko Grlic Film Director Eminent Scholar in Film, Ohio University