Landscape and the Moving Image

'This is a beautifully-written, well-researched, thoughtful, generous and passionate book. It is one that seeks to make a difference not only to our knowledge of representations of landscapes by moving image artists but also to inspire new generations of eco-critically-minded artists to discover fresh ways to communicate urgent messages about the ongoing breakdown of the natural world. The book offers innovative explorations of how the moving image continues to facilitate understandings of our relationships to ‘natural’ landscapes. [...] This is an original, often inspirational work which offers a comprehensive and up-to-date view of landscape and moving image from the perspective of a highly knowledgeable artist.' -- Paul Newland, Journal of British Cinema and Television 'Drawing on her lifetime’s work as an artist, a scholar, and an arts administrator, Catherine Elwes’s new book is magnificent. The book’s global reach (from Uluru to the Arctic), the erosion of white male colonial and pectatorial privilege entailed in her expanded geographical perspectives, and her contextualization of all questions of landscape in political issues together mark a decisive and much-needed scholarly paradigm shift, one at last responsive to our present ecological disasters.' -- Professor David James, University of Southern California '[Elwes’s] writing really brings the films to life in their absence. It made me intrigued about the films but the book also stands alone and apart from them, vividly offering images that the reader puts together from the text. It adds other dimensions to the films that are enough even if one were to never see the works themselves – as a piece of writing conjuring a rich critical dimension.' -- Dr Judith Rugg, co-editor of Spatialities: The Geographies of Art & Architecture, and Issues of Curating Contemporary Art & Performance 'Moving images are now everywhere in galleries and art biennials, and ecology is no longer a niche theme. Drawing on decades of making and writing about film and video, Elwes offers more than a guided tour. She offers encounters with the art, ideas and artists of the Anthropocene, and invites readers into rich conversations about and between feminism, decolonial critique and environmentalism with eloquence, passion and wit. You will never see landscape art the same way again.' -- Professor Sean Cubitt, University of Melbourne