Rob Williams is the writer of Suicide Squad and Martian Manhunter for DC Comics, Unfollow for Vertigo and Doctor Who: The Eleventh Doctor for Titan Comics. His previous work for 2000 AD includes Judge Dredd: Titan, The Grievous Journey Of Ichabod Azrael (And The Dead Left In His Wake) and The Ten-Seconders and he is currently writing Roy of the Rovers for Rebellion
A great collection of Dredds by Williams & Weston. Hard to pick a favourite, but I think the sad Klegg carries the day. Highly recommended. -- Garth Ennis (The Boys, Preacher) Ferociously intelligent, brutal, and yet interspersed with moments of sublime beauty. Dredd's world has never looked better, or felt more horrific. -- Ian Dunt (politics.co.uk, How To Be A Liberal) Gaze into the fist of Dredd was the classic, but with Rob Williams we gaze into the mind of Dredd -- Rowan Hooper * New Scientist * An all-time volume that nails the tone, art, everything. -- Jeff Parker (X-Men, James Bond) The new Judge Dredd: Control book is so drokkin' good! Class Dredd in all the best ways, but still as fresh as hell. With visuals that will melt your eyes. Recommended to all citizens. -- JH Williams III (Sandman Overture) Gorgeous collection of stories that are like if Arthur Miller decided to roam Mega City One. -- Van Jensen (Pinocchio, Vampire Slayer) 5/5 * SFX Magazine * Williams and Weston have delivered a fantastic 130 pages of classic Dredd! 10/10 * Flickering Myth * Williams and Weston deliver again and again ... another essential Dredd volume for your collection. * comicon.com * Can we just stop whatever we're doing for a moment and talk about Chris Weston? This guy knows how to draw some comics. -- Tegan O'Neil * The Comics Journal * Rob and Chris Weston have a perfect grasp on what makes Dredd so compelling: a hero, a monster; an icon. This story boils with epic ambition and grimy realpolitik. This IS the law. -- Simon Spurrier (Hellblazer, Coda) It's a satire-tipped bullet, it is the best of JUDGE DREDD -- provocative speculative fiction that wields its monolithic pop culture icon to cut through the paranoid issues of the modern, often-fearful moment. Society and its follies are the nails, Dredd's the hammer, and we love him for it. -- Steve Orlando (Wonder Woman, Justice League)