Josephine Baker's Cinematic Prism

Terri Simone Francis

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English

Indiana University Press
19 January 2021

Physical anthropology & ethnography

Josephine Baker, the first Black woman to star in a major motion picture, was both liberated and delightfully undignified, playfully vacillating between allure and colonialist stereotyping.

Nicknamed the Black Venus, Black Pearl, and Creole Goddess, Baker blended the sensual and the comedic when taking 1920s Europe by storm. Back home in the United States, Baker's film career brought hope to the Black press that a new cinema centered on Black glamour would come to fruition. In Josephine Baker's Cinematic Prism, Terri Simone Francis examines how Baker fashioned her celebrity through cinematic reflexivity, an authorial strategy in which she placed herself, her persona, and her character into visual dialogue. Francis contends that though Baker was an African American actress who lived and worked in France exclusively with a white film company, white costars, white writers, and white directors, she holds monumental significance for African American cinema as the first truly global Black woman film star. Francis also examines the double-talk between Baker and her characters in Le Pompier de Folies Bergere, La Sirene des Tropiques, Zou Zou, Princesse Tam Tam, and The French Way, whose narratives seem to undermine the very stardom they offered. In doing so, Francis artfully illuminates the most resonant links between emergent African American cinephilia, the diverse opinions of Baker in the popular press, and African Americans' broader aspirations for progress toward racial equality.

Examining an unexplored aspect of Baker's career, Josephine Baker's Cinematic Prism deepens the ongoing conversation about race, gender, and performance in the African diaspora.

By: Terri Simone Francis
Imprint: Indiana University Press
Country of Publication: United States
Dimensions: Height: 229mm, Width: 152mm,
ISBN: 9780253223388
ISBN 10: 0253223385
Pages: 216
Publication Date: 19 January 2021
Audience: Professional and scholarly , Undergraduate
Format: Paperback
Publisher's Status: Unspecified

Acknowledgments Prologue: What Might Be Josephine Baker's Film History Introduction: Hey! Ha! Shimmy My Bananas! Refracting Baker's Image 1. Traveling Shoes: Baker's Migrations and the Conundrums of Sweet Paris 2. Shouting at Shadows: The Black American Press, French Colonial Culture, and La sirène des tropiques 3. Unintended Exposures: Baker's Prismatic Ethnological Performance in ZouZou 4. Seeing Double: Parody and Desire in Le pompier de Folier Bergère and Princesse Tam-Tam Epilogue: Long Live Josephine Baker! Bibliography Index

Terri Simone Francis is Associate Professor at the University of Miami.

Reviews for Josephine Baker's Cinematic Prism

An insightfully informative work of meticulous research and painstaking scholarship, Josephine Baker's Cinematic Prism is an extraordinary and unreservedly recommended addition to community, college, and university library Cinematic History, African-American Studies, and American Biography collections in general, and Josephine Baker supplemental curriculum studies lists in particular. -- James A. Cox * Midwest Book Reviw * New Josephine Baker biography chronicles her 'labor on screen' as the first 'global' black woman film star. . . . Josephine Baker's Cinematic Prism is available now and details the early days of Baker's stunning career. -- Rae Williams * Atlanta Black Star * Josephine Baker's Cinematic Prism explores Baker's celebrity and ability to have such a hold in the Black film industry even while working almost exclusively with white directors, actors and crew in white-specifically European-spaces. Francis examines the dialogue between Baker and the characters she portrayed, particularly those whose narratives seemed to undermine the stardom they offered. Expertly crafted, Josephine Baker's Cinematic Prism illustrates the most prominent links between Black cinema, conflicting opinions of Baker in the popular press and the broader aspirations for progress towards racial equality. * The Root * This academic, but accessible deep dive into her film career and the impact of her image in the movies is thorough in considering what influenced her, how she reflected the current culture, and how she continues to be an influence today. Francis explores how Baker's performance style was inspired by African dance and blues singers like Ethel Waters, Ma Rainey, and Clara Smith (with whom she performed in the US). She put her own comic lens on these varied influences and presented her take with a boldness that would later show in the style of top stars like Diana Ross and Beyonce. . . . This is an impressively thorough examination of a relatively short period of Baker's career that nevertheless had a significant impact on her image and legacy. -- Kendahl Cruver * A Classic Movie Blog * Expertly crafted, Josephine Baker's Cinematic Prism illustrates the most prominent links between Black cinema, conflicting opinions of Baker in the popular press and the broader aspirations for progress towards racial equality. -- Bella Morais * The Root *