James Joyce and the Irish Revolution

"“An important development in the understanding of the Irish relationship to Joyce’s work – and of his relationship to his native country. . . . For this superb, transformative undertaking the author deserves our gratitude.” * Dublin Review of Books * “The Easter Rising, far from being consigned to nostalgia, is seen as a catalyst for global processes of decolonization . . . [Gibbons’s] tracing of connections and influences—real, virtual, and suggestive—between revolution in the street and in the word results in richly layered and sometimes erudite chapters that repay close reading  . . [and] open up many fascinating paths.” * Irish Times * ""One of Ireland’s most profound if idiosyncratic cultural critics, Luke Gibbons, seeks to bring these two revolutions into the same framework in his important new work, James Joyce and the Irish Revolution: The Easter Rising as Modern Event. Through a series of engrossing vignettes drawn from a wide array of contemporary sources, he positions Joyce’s 'revolution of the word' under the light emitted by the 1916 Easter Rising and sets out to 'reclaim what was radical in the Irish revolution for a modernist project akin to that of Joyce’s.'"" * Jacobin * “The interest key figures in the Rising and the subsequent War of Independence (1919–21) showed in Joyce’s work and its revolutionary potential is . . .  compelling. For example, Gibbons shines a light on the Irish revolutionary leader Ernie O’Malley, who devoted considerable attention to Joyce . . . [Gibbons’s] case is unassailable.  Political radicalism and radical art call one another to arms.” * Times Literary Supplement * “This is a study deserving of an audience beyond the confines of Irish literary criticism. Underscoring the electrifying analysis is the hard evidence of patient scholarship and profound insight that makes this book one of the most original interventions to appear during the Decade of Centenaries.” * History Ireland * “Gibbons examines how the aesthetic innovations in James Joyce’s Ulysses reflect the political turmoil of Ireland’s 1916 Easter Rising and subsequent War of Independence . . . with some eye-opening insights.” * Publishers Weekly * ""This book is a ground-breaking and original addition to the decade of centenaries. Luke Gibbons’ familiarity with the ‘underworld’ figures of the anti-Treatyites and supporters, who understood Ulysses because of their lived experience, extends our understanding of the more commonly reported Free Staters’ refusal of Ulysses, mainly on moral censorship grounds. Replete with a superb index and 56 pages of exemplary footnotes, a study in themselves, it is a generous book. It is a work that manages to yoke modernist literary expression with a broad array of transnational political effects."" * Australasian Journal of Irish Studies * “Gibbons may well be Ireland’s most brilliant literary and cultural critic: a distinctive voice and a decisive eye. Here, as always, Gibbons’s commentary ebbs around observed details with a verve worthy of Benjamin, as he makes clear not only that Joyce’s work was revolutionary but also that it was recognized as such by some of the revolutionaries themselves. This is an immensely rich and suggestive work, an instant classic of Irish literary criticism."" -- Enda Duffy, University of California, Santa Barbara ""This book positively bristles with intelligence and erudition. Gibbons reads Ulysses and the Easter Rising as compelling instances of an alliance between political radicalism and formal/technical innovation. At the same time, he decisively rewrites our understanding of Ulysses’s reception history, demonstrating that many of Joyce’s first interpreters saw his literary experiments as direct engagements with Ireland’s turbulent political history.” -- Marjorie Howes, Boston College “In this pioneering investigation, Gibbons has convincingly reinterpreted the Easter Rising as a global and modernizing event. His Joycean cast of characters—artists, freedom fighters, and a surprising number who were both—highlights the cultural aspects of the 1916 Rising in a new modernist and international vein.” -- Mary E. Daly, University College Dublin"