Inwardness and Theater in the English Renaissance

Katharine Eisaman Maus (University of Virginia)

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English

University of Chicago Press
01 June 1995

Literary theory; Literary studies: c 1500 to c 1800; Literary studies: plays & playwrights

Katharine Eisaman Maus explores Renaissance writers' uneasy preoccupation with the inwardness and invisibility of truth. The perceived discrepancy between a person's outward appearance and inward disposition, she argues, deeply influenced the ways English Renaissance dramatists and poets conceived of the theater, imagined dramatic characters, and reflected upon their own creativity.

Reading works by Kyd, Marlowe, Shakespeare, Jonson, and Milton in conjuction with sectarian polemics, gynecological treatises, and accounts of criminal prosecutions, Maus delineates unexplored connections among religious, legal, sexual, and theatrical ideas of inward truth. She reveals what was at stake—ethically, politically, epistemologically, and theologically—when a writer in early modern England appealed to the difference between external show and interior authenticity. Challenging the recent tendency to see early modern selfhood as defined in wholly public terms, Maus argues that Renaissance dramatists continually payed homage to aspects of inner life they felt could never be manifested onstage.

By: Katharine Eisaman Maus (University of Virginia)
Imprint: University of Chicago Press
Country of Publication: United States
Edition: 2nd ed.
Dimensions: Height: 22mm, Width: 15mm, Spine: 2mm
Weight: 425g
ISBN: 9780226511238
ISBN 10: 0226511235
Pages: 232
Publication Date: 01 June 1995
Audience: College/higher education , Professional and scholarly , Professional & Vocational , A / AS level , Further / Higher Education
Format: Hardback
Publisher's Status: Active

Elizabeth D. Harvey is assistant professor of English at the University of Western Ontario. Katharine Eisaman Maus, associate professor of English at the University of Virginia, is the author of Ben Jonson and the Roman Frame of Mind.