International Cultural Heritage Law in Armed Conflict: Case-Studies of Syria, Libya, Mali, the Invasion...

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Marina Lostal

International Cultural Heritage Law in Armed Conflict

Case-Studies of Syria, Libya, Mali, the Invasion of Iraq, and the Buddhas of Bamiyan

Marina Lostal

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English

Cambridge University Press
10 May 2018

Law as it applies to other professions; International law; Treaties & other sources of international law; Responsibility of states & other entities; Military & defence law

This book fills gaps in the exploration of the protection of cultural heritage in armed conflict based on the World Heritage Convention. Marina Lostal offers a new perspective, designating a specific protection regime to world cultural heritage sites, which is so far lacking despite the fact that such sites are increasingly targeted. Lostal spells out this area's discrete legal principles, providing accessible and succinct guidelines to a usually complex web of international conventions. Using the conflicts in Syria, Libya and Mali (among others) as case studies, she offers timely insight into the phenomenon of cultural heritage destruction. Lastly, by incorporating the World Heritage Convention into the discourse, this book fulfills UNESCO's long-standing project of exploring 'how to promote the systemic integration between the [World Heritage] Convention of 1972 and the other UNESCO regimes'. It is sure to engender debate and cause reflection over cultural heritage and protection regimes.

By: Marina Lostal
Imprint: Cambridge University Press
Country of Publication: United Kingdom
Dimensions: Height: 230mm, Width: 153mm, Spine: 12mm
Weight: 340g
ISBN: 9781316620496
ISBN 10: 1316620492
Pages: 216
Publication Date: 10 May 2018
Audience: Professional and scholarly , Undergraduate
Format: Paperback
Publisher's Status: Active

Marina Lostal is a lecturer in International Law at The Hague University of Applied Sciences, an ad hoc lecturer at the Universidad Torcuato di Tella, Buenos Aires, and a consultant for Geneva Call in the study on the relationship between the protection of cultural property and non-state actors.