Insecurity

Perils and Products of Theatres of the Real

Jenn Stephenson

$135

Hardback

Not in-store but you can order this
How long will it take?

Availability Information

We source books from suppliers in Australia and overseas. For books we don't currently have in stock, the time it takes to get them from our suppliers can vary widely - from a few days to a few months - so we check each book with each supplier to determine the expected time it will take to be supplied to us.

We then advise you accordingly. If the time taken to get any book is too long for you, you can let us know and we will cancel or adjust your order, and refund as required.

To find out the anticipated arrival time for specific items prior to ordering, please contact us by phone or email:

Phone +61 2 9264 3111, or 1800 4 BOOKS (1800 4 26657) if outside Sydney:
option 1 Abbey's Bookshop (Crime, History, Science, Kids & more) • info@abbeys.com.au
option 2 Language Book Centre (ESL & Foreign Languages) • language@abbeys.com.au
option 3 Galaxy Bookshop (Sci-fi, Fantasy, Romance, Graphic Novels) • sf@galaxybooks.com.au

QTY:

English

University of Toronto Press
14 April 2019

Theatre Studies; Theatre management; Individual actors & performers; Other performing arts

The early years of the twenty-first century have witnessed a proliferation of non-fiction, reality-based performance genres, including documentary and verbatim theatre, site-specific theatre, autobiographical theatre, and immersive theatre. Insecurity: Perils and Products of Theatres of the Real begins with the premise that although the inclusion of real objects and real words on the stage would ostensibly seem to increase the epistemological security and documentary truth-value of the presentation, in fact the opposite is the case.

Contemporary audiences are caught between a desire for authenticity and immediacy of connection to a person, place, or experience, and the conditions of our postmodern world that render our lives insecure. The same conditions that underpin our yearning for authenticity thwart access to an impossible real. As a result of the instability of social reality, the audience, Jenn Stephenson explains, is unable to trust the mechanisms of theatricality. The by-product of theatres of the real in the age of post-reality is insecurity.

By: Jenn Stephenson
Imprint: University of Toronto Press
Country of Publication: Canada
Dimensions: Height: 239mm, Width: 165mm, Spine: 28mm
Weight: 560g
ISBN: 9781487501853
ISBN 10: 1487501854
Pages: 296
Publication Date: 14 April 2019
Audience: College/higher education , Professional and scholarly , Primary , Undergraduate
Format: Hardback
Publisher's Status: Active

Jenn Stephenson is Professor in the Dan School of Drama and Music at Queen’s University. Her book Performing Autobiography: Contemporary Canadian Drama is also published by University of Toronto Press.

Reviews for Insecurity: Perils and Products of Theatres of the Real

Insecurity is well-conceived, articulately-written, and so thoroughly and completely realized in execution. It is a pleasure to read. - Moira Day, Department Head of Drama, University of Saskatchewan Lively and engaging, Jenn Stephenson has produced a compelling and timely interrogation of the 'real', ably and amply illustrated by a strong selection of case studies. This work is illuminating, the breadth and diversity of the performances under investigation alone make this book an important addition to scholarship on Canadian theatre and performance. Insecurity is an original contribution to the contested terrain of putting the 'real' on stage and in front of an audience. - Susan Bennett, Department of English, University of Calgary This book offers a compelling and timely investigation of the 'real', ably and amply illustrated by a diversity of case studies. A must-read addition to scholarship on Canadian theatre and performance. - Susan Bennett, Department of English, University of Calgary