Hymns and Hymnody: Historical and Theological Introductions, Volume 2: From Catholic Europe to Protestant...

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Mark A Lamport Benjamin K Forrest

Hymns and Hymnody

Historical and Theological Introductions, Volume 2: From Catholic Europe to Protestant Europe...

Mark A Lamport, Benjamin K Forrest, Vernon M Whaley

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English

Wipf & Stock Publishers
24 May 2019

History of religion; Christianity; Christian Churches & denominations; Christian liturgy, prayerbooks & hymnals; Christian worship, rites & ceremonies; Christian life & practice; Christian institutions & organisations; Religious institutions & organisations

Hymns and the music the church sings in worship are tangible means of expressing worship. And while worship is one of, if not the central functions of the church along with mission, service, education, justice, and compassion, and occupies a prime focus of our churches, a renewed sense of awareness to our theological presuppositions and cultural cues must be maintained to ensure a proper focus in worship. Hymns and Hymnody: Historical and Theological Introductions is a sixty-chapter, three-volume introductory textbook describing the most influential hymnists, liturgists, and musical movements of the church. This academically grounded resource evaluates both the historical and theological perspectives of the major hymnists and composers who have impacted the church over the course of twenty centuries. Volume 1 explores the early church and concludes with the Renaissance era hymnists. Volume 2 begins with the Reformation and extends to the eighteenth-century hymnists and liturgists. Volume 3 engages nineteenth century hymnists to the contemporary movements of the twenty-first century. Each chapter contains these five elements: historical background, theological perspectives communicated in their hymns/compositions, contribution to liturgy and worship, notable hymns, and bibliography. The mission of Hymns and Hymnody is (1) to provide biographical data on influential hymn writers for students and interested laypeople, and (2) to provide a theological analysis of what these composers have communicated in the theology of their hymns. We believe it is vital for those involved in leading the worship of the church to recognize that what they communicate is in fact theology. This latter aspect, we contend, is missing--yet important--in accessible formats for the current literature.

Edited by: Mark A Lamport, Benjamin K Forrest, Vernon M Whaley
Imprint: Wipf & Stock Publishers
Country of Publication: United States
Dimensions: Height: 229mm, Width: 152mm, Spine: 20mm
Weight: 522g
ISBN: 9781532651250
ISBN 10: 1532651252
Pages: 354
Publication Date: 24 May 2019
Audience: General/trade , ELT Advanced
Format: Paperback
Publisher's Status: Active

"Mark A. Lamport is a graduate professor in the United States and Europe. He is coeditor of Encyclopedia of Christianity and the Global South (2 vols., 2018); Encyclopedia of Martin Luther and the Reformation (2 vols., 2017); Encyclopedia of Christianity in the United States (5 vols., Selected: ""Notable Books of 2016""); Encyclopedia of Christian Education (3 vols., Winner, Booklist Editors' Choice: Adult Books, 2016). Benjamin K. Forrest is Professor of Christian Education and Associate Dean at the College of Arts and Sciences at Liberty University. He is coeditor of A Legacy of Preaching (2 vols., 2018), Biblical Leadership: Theology for Everyday Leaders (2017), and Biblical Worship: Theology unto the Glory of God (forthcoming). Vernon M. Whaley is Dean of the Liberty University School of Music. His publications include, Exalt His Name (2018), Worship Through the Ages (2012), The Great Commission to Worship (2011), and The Dynamics of Corporate Worship (2001)."

Reviews for Hymns and Hymnody: Historical and Theological Introductions, Volume 2: From Catholic Europe to Protestant Europe

Covering three centuries that were 'the most momentous for the development of congregational hymnody, ' these essays help us understand how hymns were finely tuned to the vernacular liturgies and denominational nuances that proliferated during this period. The editors have carefully planned the volume so that it is both comprehensible and useful. From the engaging prefatory explanation of hymns to the diverse range of first-rate contributors, this is an invaluable collection and is highly recommended for anyone interested in hymnology. --Andrew Shenton, Boston University