?[R]aises interesting questions about how much of the impossible O'Connor was able to do as an artist....While O'Connor scholars will not find in this book radically new reding of the four o'Connor stories Nisly analyses, they will see interesting questions about the extent to which O'Connor's writing techniques can be considered inherently and specifically Catholic....The major virtue of this book is in what it suggests for future investigations about religious writers of contrasting religious commitments.?-Flannery O'Connor Review