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English
Hatje Cantz
19 October 2023
Magical images that defy time from the grand master of conceptual photography.

Through his expansive exploration of the possibilities of still images, the internationally renowned artist and photographer Hiroshi Sugimoto has created some of the most alluringly enigmatic photographs of our time; pictures that are meticulously crafted and deeply thought-provoking, familiar yet tantalisingly ambiguous.

Hiroshi Sugimoto: Time Machine is a comprehensive survey of work produced over the past five decades, featuring selections from all of Sugimoto's major photographic series, as well as lesser-known works that illuminate his innovative, conceptually-driven approach to making pictures. Texts by a collection of international writers, artists and scholars - including Geoffrey Batchen, Edmund de Waal, Mami Kataoka, Ralph Rugoff, Lara Strongman and Margaret Wertheim - will highlight his work's philosophical yet playful inquiry into the nature of representation and art, our understanding of time and memory, and the paradoxical character of photography as a medium suited to both documenting and invention.
Text by:   , , , ,
Imprint:   Hatje Cantz
Country of Publication:   Germany
Dimensions:   Height: 280mm,  Width: 240mm, 
Weight:   1.740kg
ISBN:   9783775755320
ISBN 10:   3775755322
Pages:   216
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Hardback
Publisher's Status:   Active

The enigmatic works of Japanese photographer HIROSHI SUGIMOTO (*1948, Tokyo) fundamentally questioned the understanding of photography. He studied sociology and politics in Tokyo, before moving to Los Angeles to study photography in the early 1970s. In 1974 he settled in New York, where he created his first series Dioramas. His main artistic interests include architecture, abstract forms and intangible phenomena.

Reviews for Hiroshi Sugimoto: Time Machine

"His work has stretched and rearranged concepts of time, space and light that are integral to the medium.--Westall Mark ""FAD"" Wonder is at the heart of it: a wonder at nature, man and creature, all through time, but also at the strangeness of photography itself. For these are pictures of what photographs may also be - the half-caught memory, the ghost in the machine, the shadow in time's eye.--Laura Cummings ""Guardian"""


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