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Helvetica and the New York City Subway System

The True (Maybe) Story

Paul Shaw

$100

Hardback

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English
MIT Press
11 February 2011
For years, the signs in the New York City subway system were a bewildering hodge-podge of lettering styles, sizes, shapes, materials, colors, and messages. The original mosaics (dating from as early as 1904), displaying a variety of serif and sans serif letters and decorative elements, were supplemented by signs in terracotta and cut stone. Over the years, enamel signs identifying stations and warning riders not to spit, smoke, or cross the tracks were added to the mix. Efforts to untangle this visual mess began in the mid-1960s, when the city transit authority hired the design firm Unimark International to create a clear and consistent sign system. We can see the results today in the white-on-black signs throughout the subway system, displaying station names, directions, and instructions in crisp Helvetica. This book tells the story of how typographic order triumphed over chaos. The process didn't go smoothly or quickly. At one point New York Times architecture writer Paul Goldberger declared that the signs were so confusing one almost wished that they weren't there at all. Legend has it that Helvetica came in and vanquished the competition. Paul Shaw shows that it didn't happen that way -- that, in fact, for various reasons (expense, the limitations of the transit authority sign shop), the typeface overhaul of the 1960s began not with Helvetica but with its forebear, Standard (AKA Akzidenz Grotesk). It wasn't until the 1980s and 1990s that Helvetica became ubiquitous. Shaw describes the slow typographic changeover (supplementing his text with more than 250 images -- photographs, sketches, type samples, and documents). He places this signage evolution in the context of the history of the New York City subway system, of 1960s transportation signage, of Unimark International, and of Helvetica itself.
By:  
Imprint:   MIT Press
Country of Publication:   United States
Edition:   New edition
Dimensions:   Height: 241mm,  Width: 280mm,  Spine: 19mm
Weight:   1.066kg
ISBN:   9780262015486
ISBN 10:   026201548X
Pages:   144
Publication Date:  
Recommended Age:   From 18
Audience:   General/trade ,  ELT Advanced
Format:   Hardback
Publisher's Status:   Active

Paul Shaw, an award-winning graphic designer, typographer,and calligrapher in New York City, teaches at Parsons School of Design and theSchool of Visual Arts. He is the coauthor of Blackletter: Type andNational Identity and writes about letter design in the blog BluePencil.

Reviews for Helvetica and the New York City Subway System: The True (Maybe) Story

Paul Shaw's study of the signage in the New York subway system is one of the best pieces of design history I've ever read. Impeccably researched and gracefully written, it uses a seemingly prosaic subject as a starting point for a fascinating exploration of the way that graphic design developed as a discipline in the 20th century. --Michael Bierut, partner, Pentagram For transit and type nerds alike, Paul's book is the Bible. It finally tells the true story of the New York subway sign system and shows how even big projects like it are shaped by people and their likes and dislikes; by accidents, prejudice, and half-knowledge. This is a history book, a type book, a design book, and a business book. --Erik Spiekermann, creative director and managing partner, Edenspiekermann Paul Shaw's detailed narrative of the evolution of signage in the New York City subway system over the past half-century reveals how the many decisions underlying its appearance have been shaped as much by political, economic, and bureaucratic forces as by design considerations. His beautifully illustrated book brings a unique perspective to the subject, and is a welcome addition to the vast literature on New York City. --Kenneth T. Jackson, Editor-in-Chief, The Encyclopedia of New York City; President Emeritus, The New-York Historical Society Paul Shaw's story of the New York subway sign system is an amazing piece of research. While Helvetica vs. Standard is the book's main focus, the most intriguing part of the story has to with the decisions and personalities involved. Shaw wonderfully captures the complexity of the undertaking, and shows how the persistence of a few people dedicated to expanding and improving the system over many years had a great impact. --Tom Geismar, founding partner, Chermayeff & Geismar


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