George A. Romero's Independent Cinema

Horror, Industry, Economics

Tom Fallows

$200

Hardback

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English

Edinburgh University Press
13 May 2022

Film theory & criticism; Individual film directors, film-makers; Film movie production: technical skills

George A. Romero is recognised as one of the most culturally significant horror auteurs in American cinema. From his debut Night of the Living Dead onwards, he demonstrated a commitment to politically challenging low-budget genre cinema, gaining fan adoration and critical esteem. Romero's cult status may be assured, but the activities of the Pittsburgh-based production company that facilitated a substantial part of his output have largely been untold.

George A. Romero's Independent Cinema is the first in-depth analysis of Romero's Laurel Entertainment, revealing the decision-making and business planning that takes place away from Hollywood, while offering an industry-determined analysis of such films as his zombie masterpiece Dawn of the Dead and the seldom-discussed Martin and Knightriders. Tracking Laurel Entertainment across four decades, this book draws upon business and economic studies to critically recast historical developments in the American independent film sector, providing a forensic-level insight into a media production company whose output redefined horror cinema.

By: Tom Fallows
Imprint: Edinburgh University Press
Country of Publication: United Kingdom
Dimensions: Height: 234mm, Width: 156mm, Spine: 14mm
Weight: 485g
ISBN: 9781474479950
ISBN 10: 1474479952
Pages: 216
Publication Date: 13 May 2022
Audience: College/higher education , Primary
Format: Hardback
Publisher's Status: Active

Dr Tom Fallows is a Seminar Leader at the University of Exeter, where he recently completed his PhD

Reviews for George A. Romero's Independent Cinema: Horror, Industry, Economics

In this excellent book, Fallows provides a rigorously researched analysis of the practices, economies and realities of independent filmmaking through the most compelling and illuminating of case studies. Essential reading for anyone interested in horror, cult and independent cinema, as well as film history and media industry studies. --Kate Egan, Northumbria University