Funding the Arts

Politics, Economics and Their Interplay in Public Policy

Andrew Pinnock

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English

Routledge
04 October 2023

Politics & government; Economics of industrial organisation; Sport & leisure industries; Sports training & coaching

Series: Discovering the Creative Industries

Who funds creative and cultural projects, and why? This insightful book analyses how the arts have been funded in a variety of political environments, helping readers understand how politics and economics intersect to support cultural life.

Employing the UK Arts Council as an historical case study, the author explores the politics of arts funding and how artists and audiences adapt their behaviour around evolving incentives. In focusing on how arts funding has worked in practice, the book allows readers to develop their understanding of economics principles in the cultural sector.

With a balance between historical and contemporary themes, the book provides fundamental insights into cultural economics and policy. As such it is required reading for students and practitioners who want to know how arts funding professionals make decisions.

By: Andrew Pinnock
Imprint: Routledge
Country of Publication: United Kingdom
Dimensions: Height: 234mm, Width: 156mm,
Weight: 540g
ISBN: 9780367076658
ISBN 10: 0367076659
Series: Discovering the Creative Industries
Pages: 280
Publication Date: 04 October 2023
Audience: College/higher education , Professional and scholarly , Primary , Undergraduate
Format: Paperback
Publisher's Status: Active

Andrew Pinnock, a former arts funder, is currently a professor in the Music Department, University of Southampton, UK.

Reviews for Funding the Arts: Politics, Economics and Their Interplay in Public Policy

"""Both a fascinating examination and a bracing critique, Funding the Arts is essential reading for anyone interested in how we make a fairer and more sustainable cultural sector."" Dave O'Brien, Professor of Cultural and Creative Industries, University of Sheffield, UK. “An important contribution to challenging funding norms, while offering some practical solutions to addressing the contradictions.” Josephine Caust, International Journal of Cultural Policy ""The Arts Council once existed for its clients, now it appears the other way round … Pinnock’s book shows how this has come about.” Robert Hewison, Cultural Trends"