From Steam to Screen

Cinema, the Railways and Modernity

Rebecca Harrison (Open University, UK)

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English

Bloomsbury Academic
24 March 2022

Films, movies & cinema; Social & cultural history; Gender studies, gender groups; Railway technology, engineering & trades; Trains & railways: general interest

Series: Cinema and Society

In late nineteenth and early twentieth century Britain, there was widespread fascination with the technological transformations wrought by modernity. Films, newspapers and literature told astonishing stories about technology, such as locomotives breaking speed records and moving images seemingly springing into life onscreen. And, whether in films about train travel, or in newspaper articles about movie theatres on trains, stories about the convergence of the railway and cinema were especially prominent. Together, the two technologies radically transformed how people interacted with the world around them, and became crucial to how British media reflected the nation's modernity and changing role within the empire. Rebecca Harrison draws on archival sources and an extensive corpus of films to trace the intertwined histories of the train and the screen for the first time. In doing so, she presents a new and illuminating material and cultural history of the period, and demonstrates the myriad ways railways and cinema coalesced to transform the population's everyday life. With examples taken from more than 240 newsreels and 40 feature-length films, From Steam to Screen is essential reading for students and researchers working on film studies and British history at the turn of the century and beyond.

By: Rebecca Harrison (Open University UK)
Imprint: Bloomsbury Academic
Country of Publication: United Kingdom
Dimensions: Height: 216mm, Width: 138mm,
ISBN: 9781350252370
ISBN 10: 1350252379
Series: Cinema and Society
Pages: 316
Publication Date: 24 March 2022
Audience: College/higher education , Primary
Format: Paperback
Publisher's Status: Active

Introduction Ghost Trains, Bioscopes and the Emergence of 'Mass' Entertainment 2. Ambulance Trains and Domestic Conflict in the First World War 3. Train Crashes, Cinema Fires and Deserving Women 4. Child Evacuees and Rural Modernity in the Second World War 5. Women Porters, Projectionettes and Gendered Labour in Wartime 6. The Cinema Train, Modernity and Empire Conclusion

Rebecca Harrison is a lecturer in British cinema at the University of Glasgow. She received her PhD from University College London, UCL, and has presented her research in peer-reviewed journals and at conferences internationally.