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From Blues to Beyoncé

A Century of Black Women’s Generational Sonic Rhetorics

Alexis McGee

$62.95   $53.82

Paperback

Forthcoming
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English
State University of New York Press
02 August 2024
From Blues to Beyoncé amplifies Black women's ongoing public assertions of resistance, agency, and hope across different media from the nineteenth century to today. By examining recordings, music videos, autobiographical writings, and speeches, Alexis McGee explores how figures such as Ida B. Wells, Billie Holiday, Ruth Brown, Queen Latifah, Aretha Franklin, Nina Simone, Janelle Monáe, and more mobilize sound to challenge antiBlack discourses and extend social justice pedagogies. Building on contemporary Black feminist interventions in sound studies and sonic rhetorics, From Blues to Beyoncé reveals how Black women's sonic acts transmit meaning and knowledge within, between, and across generations.
By:  
Imprint:   State University of New York Press
Country of Publication:   United States
Dimensions:   Height: 229mm,  Width: 152mm,  Spine: 25mm
Weight:   227g
ISBN:   9781438496504
ISBN 10:   1438496508
Series:   SUNY series in Feminist Criticism and Theory
Pages:   240
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Forthcoming
Acknowledgments Preface: A Tale of Two Stories: Listening to Liminal Spaces to Listen to Myself Introduction 1. Sonic Sharecropping 2. “Strange Fruit” Sonic Rhetorics 3. Queer(ing) Sound, Time, and Grammar: Black Women’s Methods for Generative Prosodic Rhetoric 4. Audible Advice, or Mentorship in Sound: A Black (Feminist) Practice of Care through Sonic Rhetorics 5. Reverb: A Coda for a Quiet, Undisputed Dignity in Sound Notes References Index

Alexis McGee is Assistant Professor of Research in the School of Journalism, Writing, and Media at the University of British Columbia.

Reviews for From Blues to Beyoncé: A Century of Black Women’s Generational Sonic Rhetorics

"""Alexis McGee insightfully employs a Black feminist and decolonial framework to examine both the music industry's long history of exploiting Black women's sonic labor and the ways Black women music artists combat these modes of exploitation and erasure. Her rich textual and historical analysis reveals how Black women use music and vocals to forward a liberatory pedagogy that educates and instructs their audiences in how to navigate and thrive in the midst of America's antiblack ways."" — Ersula J. Ore, author of Lynching: Violence, Rhetoric and American Identity ""With its creativity, scope, and clear investment in care, From Blues to Beyoncé illustrates why and how music continues to operate as a life-giving medium and resource for Black women. This book will inspire important conversations."" — Tamika L. Carey, author of Rhetorical Healing: The Reeducation of Contemporary Black Womanhood"


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