Freedom Girls

Voicing Femininity in 1960s British Pop

Alexandra M. Apolloni (Program Director, Program Director, Yale University)

$80.95

Paperback

Not in-store but you can order this
How long will it take?

Availability Information

We source books from suppliers in Australia and overseas. For books we don't currently have in stock, the time it takes to get them from our suppliers can vary widely - from a few days to a few months - so we check each book with each supplier to determine the expected time it will take to be supplied to us.

We then advise you accordingly. If the time taken to get any book is too long for you, you can let us know and we will cancel or adjust your order, and refund as required.

To find out the anticipated arrival time for specific items prior to ordering, please contact us by phone or email:

Phone +61 2 9264 3111, or 1800 4 BOOKS (1800 4 26657) if outside Sydney:
option 1 Abbey's Bookshop (Crime, History, Science, Kids & more) • info@abbeys.com.au
option 2 Language Book Centre (ESL & Foreign Languages) • language@abbeys.com.au
option 3 Galaxy Bookshop (Sci-fi, Fantasy, Romance, Graphic Novels) • sf@galaxybooks.com.au

QTY:

English

Oxford University Press Inc
24 February 2022

Theory of music & musicology; Easy listening, MOR music

"Freedom Girls: Voicing Femininity in 1960s British Pop shows how the vocal performances of girl singers in 1960s Britain defined-and sometimes defied-ideas about what it meant to be a young woman in the 1960s British pop music scene. The singing and expressive voices of Sandie Shaw, Cilla Black, Millie Small, Dusty Springfield, Lulu, Marianne Faithfull, and P.P. Arnold, reveal how vocal sound shapes access to social mobility, and consequently, access to power and musical authority. The book examines how Sandie Shaw and Cilla Black's ordinary girl personas were tied to whiteness and, in Black's case, her Liverpool origins. It shows how Dusty Springfield and Jamaican singer Millie Small engaged with the transatlantic sounds of soul and and ska, respectively, transforming ideas about musical genre, race, and gender. It reveals how attitudes about sexuality and youth in rock culture shaped the vocal performances of Lulu and Marianne Faithfull, and how P.P. Arnold has re-narrated rock history to center Black women's vocality. Freedom Girls draws on a broad array of archival sources, including music magazines, fashion and entertainment magazines produced for young women, biographies and interviews, audience research reports, and others to inform analysis of musical recordings (including such songs as ""As Tears Go By,"" ""Son of a Preacher Man,"" and others) and performances on television programs such as Ready Steady Go!, Shindig, and other 1960s music shows. These performances reveal the historical and contemporary connections between voice, social mobility, and musical authority, and demonstrate how singers used voice to navigate the boundaries of race, class, and gender."

By: Alexandra M. Apolloni (Program Director Program Director Yale University)
Imprint: Oxford University Press Inc
Country of Publication: United States
Dimensions: Height: 155mm, Width: 231mm, Spine: 25mm
Weight: 488g
ISBN: 9780190879907
ISBN 10: 0190879904
Pages: 336
Publication Date: 24 February 2022
Audience: Professional and scholarly , Undergraduate
Format: Paperback
Publisher's Status: Active

"Introduction Vocal Manners for Moderns Part I: Ordinary, Extraordinary Voices Chapter 1: Chart Chicks and Gear Girls: The Limits of Mod Femininity Chapter 2: A girl in a million, just like a million"": Sandie Shaw and Ordinary Girlhood Chapter 3: Sounding Like Liverpool: Region, Memory, and Cilla Black's Accent Part II: Chapter 4: England meets Jamaica's Lollipop Girl: Millie Small, Voice, and Migration Chapter 5: Race, Self-Invention, and Dusty Springfield's Voice Part III: Voice, Age, and Sex Chapter 6: The Last Remaining Virgin in London: Lulu, Whiteness, and Youth Chapter 7: Sex, Freedom, and Marianne Faithfull's Voice at the Twilight of the Sixties Chapter 8: Remembering Rock and Roll with P.P. Arnold Epilogue Index"

Alexandra Apolloni is a writer, singer, and music historian. She holds a PhD in Musicology from UCLA and an undergraduate degree in Music and Women's Studies from Wilfrid Laurier University in Waterloo, Canada. Currently, she directs the Scholars as Leaders; Scholars as Learners program for the Faculty of Arts and Science Dean's Office at Yale. Previously, she was the Program and Research Developer at the UCLA Center for the Study of Women. From 2019 to 2021, Alexandra served as Vice President of the International Association for the Study of Popular Music, US-Branch.

Reviews for Freedom Girls: Voicing Femininity in 1960s British Pop

A thoughtful, nuanced, and beautifully written study of British girlhood and music through the upheavals of the 1960s. This book offers a terrific range of case studies including Lulu, Marianne Faithfull, Millie Small, and PP Arnold, to consider girl singers and their fans as bearers of social change in Swinging London. With attention to the materials and metaphorical functions of the voice, Apolloni restores authority to the girls and young women who were raising their voices and remaking the world. * Jacqueline Warwick, Dalhousie University, and author of Girl Groups, Girl Culture: Popular Music and Identity in the 1960s *