Francis Planté

A musical portrait with a pen

Oscar Comettant, Craig Dabelstein

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English

Maxime's Music
18 November 2024

Music reviews & criticism; Biography: arts & entertainment

Francis Planté (1839-1934) was a celebrated French pianist renowned for his technical prowess and deeply expressive style. He displayed prodigious musical talent from an early age, studying under esteemed musicians like Antoine Marmontel and performing in public by the age of 10. His playing was characterized by clarity, precision, and emotional depth, which won him admiration across Europe. He was especially noted for his interpretations of the works of composers such as Mozart, Beethoven and Chopin, and he was known to have a close friendship with many renowned artists of his time, including Franz Liszt, who influenced his artistic development. Planté left a legacy that extended beyond his own performances. He largely retired from public life in the early 20th century but continued to inspire generations through his recordings and teachings.

Oscar Comettant (1819-1898) was a French composer, music critic, and writer known for his explorations of music from around the world. Comettant trained as a musician in Paris and developed a wide-ranging interest in various cultures, which greatly influenced his work and thinking. As a composer, he wrote operas, symphonies, songs, and chamber music, but he gained more recognition as a music critic and travel writer. His insightful critiques appeared in prominent French publications, where he advocated for innovative and international perspectives in music. Comettant's extensive travels through North and South America, Asia, and Oceania fueled his curiosity, leading to several notable works on the music of indigenous cultures and non-Western traditions. His book La Musique, les Musiciens et les Instruments de Musique chez les différents peuples du monde (1869) was one of the first ethnomusicological studies in France, marking him as a pioneer in the field.

Craig Dabelstein (1973-) is an Australian conductor and musicologist recognized for his expertise in both performance and music scholarship. Dabelstein's research focuses on underappreciated composers and works, contributing valuable insights to the field of musicology. He is known for his rigorous scholarship and his contributions include critical editions and recordings, enriching the classical music landscape with fresh perspectives and discoveries from overlooked compositions.

By: Oscar Comettant
Translated by: Craig Dabelstein
Imprint: Maxime's Music
Dimensions: Height: 216mm, Width: 140mm, Spine: 3mm
Weight: 82g
ISBN: 9781936512935
ISBN 10: 1936512939
Pages: 56
Publication Date: 18 November 2024
Audience: General/trade , ELT Advanced
Format: Paperback
Publisher's Status: Active

Oscar Comettant (1819-1898) was a French composer, music critic, and writer known for his explorations of music from around the world. Comettant trained as a musician in Paris and developed a wide-ranging interest in various cultures, which greatly influenced his work and thinking. As a composer, he wrote operas, symphonies, songs, and chamber music, but he gained more recognition as a music critic and travel writer. His insightful critiques appeared in prominent French publications, where he advocated for innovative and international perspectives in music. Comettant's extensive travels through North and South America, Asia, and Oceania fueled his curiosity, leading to several notable works on the music of indigenous cultures and non-Western traditions. His book La Musique, les Musiciens et les Instruments de Musique chez les différents peuples du monde (1869) was one of the first ethnomusicological studies in France, marking him as a pioneer in the field. Craig Dabelstein (1973-) is an Australian conductor and musicologist recognized for his expertise in both performance and music scholarship. Dabelstein's research focuses on underappreciated composers and works, contributing valuable insights to the field of musicology. He is known for his rigorous scholarship and his contributions include critical editions and recordings, enriching the classical music landscape with fresh perspectives and discoveries from overlooked compositions.