Maura Pierlot is an award-winning author and playwright who hails from New York, but has called Canberra, Australia home since the early 1990s. Her writing delves into complex issues including memory, identity, self and, more recently, mental health. Following its sellout 2019 season in Canberra, Maura's debut professional theatre production, Fragments is being adapted for the digital space, supported by artsACT. The work is published online by Australian Plays Transforms and in print by Big Ideas Press. Maura is a past winner of the SOLO Monologue Competition, Hothouse Theatre for her play, Tapping Out. Her plays have been performed in Melbourne, Canberra, Sydney and Brisbane. A former medical news reporter and editor of Australian Medicine, Maura also writes for children and young adults. In 2017 she was named winner of the CBCA Aspiring Writers Mentorship Program, and recipient of the Charlotte Waring Barton Award, for her young adult manuscript, Freefalling (now True North). Maura's debut picture book, The Trouble in Tune Town won the 2018 ACT Writing and Publishing Award (Children's category) along with international accolades. Maura's poetry, short stories, microfiction and essays appear in various literary journals and anthologies. Maura has a bachelor's degree, master's degree and doctorate, each in philosophy, specialising in ethics. When she's not busy writing, Maura visits schools and libraries as a guest reader and speaker, serves as a Role Model for Books in Homes, and contributes reviews for the Children's Book Council of Australia's online magazine, Reading Time. For further information on Maura and her work, Fragments please visit: https: //maurapierlot.com and https: //fragmentstheplay.com.
Reviews 'Fragments' by Canberra-based playwright, Maura Pierlot, is a powerful set of stories about young people struggling with emotional, social, physical and mental issues during their teenage years. Eight inter-connected monologues give us a deep insight into the personal lives of these people. It's disturbing, revealing and ultimately quite moving.' (Len Power, Canberra Critics Circle) Despite the angst, the script also contains moments of genuine humour, of wit, and of hope. The tragedy isn't so much the pain the characters feel, but the fact that they're so consumed by it that they don't notice that everyone else feels it too. And by pointing this out, Fragments opens up the vital possibility of connection. (Erin Stewart, ArtsHub) These eight young people have the same central concern that I remember: is my outward presentation true to my real internal self? Under the onslaught of 24/7 Instagram images and over-the-top positive and negative judgmental commentary from peers, I think struggling through that ten-year period from, say, (ages) 14 to 24, which I remember well, is made far more fearful for this generation. No wonder mental health issues are so much more on the public agenda today than in yesteryear. So it should be, and this play has a valuable role to play. (Frank McKone, Canberra Critics Circle) In summary, Fragments is a raw and contemporary play that blends a smidgeon of Woolf, something of The Breakfast Club's vibe, and a whole lot of modern concerns and challenges faced by Australian teens today. There's merit to found if you go and watch it - but be warned that you might just fall to pieces in the process. (New Territory, Rosalind Moran) Audience testimonials Fragments is an unflinching look at mental health issues confronted by young people today. Raw, unsettling, ironic, funny, heartbreaking, authentic - it is all of this and more (E Toohey) A brilliant, powerful and honest take on mental illness and the stigma that surrounds it. Thought-provoking and brilliantly performed, Fragments cleverly tackles issues that affect nearly everyone in our community but are not discussed nearly as often as they should be (M Barhen) Maura Pierlot's Fragments is thoughtful and heartbreaking, giving the audience a comprehensive insight into the causes and realities of mental health issues in today's teens. While the subject matter is heavy, there is a great sense of hope. (H Bidwell)