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Dr. Alexandra R. Toland is a visual artist and environmental planner with research interests in ecosystem services, urban ecology, soil and culture, and the Anthropocene. She is junior professor for arts and research at the Bauhaus University of Weimar and has previously lectured at the Technische Universität Berlin, University of Arts Berlin (UDK), Humboldt Universität zu Berlin, and Leuphana University. She co-chaired the German Soil Science Society’s Commission on Soils in Education and Society from 2011 to 2015 with Gerd Wessolek and continues to write and make artwork about soil. Dr. Jay Stratton Noller is professor of landscape pedology and head of the Department of Crop and Soil Science at Oregon State University. His research focuses on morphologistics and human interactions with soils in modern and ancient agricultural and forest landscapes of the Middle East, Europe, and the Americas. His experience crosses disciplines of soil science, geomorphology, art, and archaeology and his work as an artist at Soilscape Studio LLC is internationally recognized. Dr. Gerd Wessolek is a soil physicist and painter who has pioneered efforts at giving soils and soil science a broader exposure to wider audiences through presentations, exhibitions, and soil art projects. Information on his research on urban soils in the vadose zone and an online gallery can be found at http://www.boden.tu-berlin.de. Since 1999 he has been chair of the Soil Protection Department at the Technische Universität Berlin.
The ambition of the editors and contributors of the book Field to Palette: Dialogues on Soil and Art in the Anthropocene is to help society reconnect with soil. The chapters are either essays that explore some of the cultural articulations of soil or incredibly informative conversations between artists, activists and scientists who share their thoughts about the material properties, cultural histories, environmental functions and existential threats of soil. Field to Palette is an amazing publication. Its almost 700 pages are packed with photos, surprising information and moving encounters. I wish i had the time to talk about everything i’ve learnt in the book. The unexpectedly sophisticated sensory abilities of nematodes or the method to turn plastic-free baby diapers into planters and nutrients for trees, for example. Since one of the greatest achievements of the book is the way it demonstrates the important role that artists can play in raising discussions with the public and in participating to the solution to the many challenges soil faces today, i’ll dedicate the rest of my review of the book to just a few of the artworks and stories i discovered in Field to Palette. http://we-make-money-not-art.com/field-to-palette-dialogues-on-soil-and-art-in-the-anthropocene/ The ambition of the editors and contributors of the book Field to Palette: Dialogues on Soil and Art in the Anthropocene is to help society reconnect with soil. The chapters are either essays that explore some of the cultural articulations of soil or incredibly informative conversations between artists, activists and scientists who share their thoughts about the material properties, cultural histories, environmental functions and existential threats of soil. Field to Palette is an amazing publication. Its almost 700 pages are packed with photos, surprising information and moving encounters. I wish i had the time to talk about everything i’ve learnt in the book. The unexpectedly sophisticated sensory abilities of nematodes or the method to turn plastic-free baby diapers into planters and nutrients for trees, for example. Since one of the greatest achievements of the book is the way it demonstrates the important role that artists can play in raising discussions with the public and in participating to the solution to the many challenges soil faces today, i’ll dedicate the rest of my review of the book to just a few of the artworks and stories i discovered in Field to Palette. http://we-make-money-not-art.com/field-to-palette-dialogues-on-soil-and-art-in-the-anthropocene/
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