Envisioning the Empress illuminates dynamic and powerful empresses who impacted not only women in their own time but whose influence extended to later generations of royalty, creating a greater role for imperial women and elevating the status of women’s roles at a crucial juncture in Japanese history. The central focus of this book is visual monarchy, exploring how the empress’ biographies were primarily expressed in visual culture and how their images worked in support of Japan’s imperial policies in the late nineteenth and early twentieth centuries. The book begins with a brief overview of premodern and modern imperial women to orient the reader. In each chapter, different media, audiences, and distribution channels for constructing the narrative of feminine imperial power in Japan are addressed alongside biographical information. It is argued that the ultimate purpose of all of these images was to elevate the empress and promote her image as a conventional role model for modern women, but one with enough celebrity cache to maintain popularity. The images of the modern empresses, as distributed by the Imperial Household Agency, strike a balance between propaganda and popular media, noble philanthropist and upper-middle class role model, celebrity and mother of the nation. The modern empress image was crafted to be both exalted and approachable and worked to establish individual biographies while simultaneously establishing the position of the empress as timeless in the public eye. Envisioning the Empress introduces students of royal studies as well as modern Japanese history and art history to this fascinating element of the history of monarchy and women’s history more broadly.
By:
Alison J. Miller
Imprint: Routledge
Country of Publication: United Kingdom
Dimensions:
Height: 198mm,
Width: 129mm,
ISBN: 9781032451756
ISBN 10: 1032451750
Series: Lives of Royal Women
Pages: 296
Publication Date: 02 December 2024
Audience:
General/trade
,
College/higher education
,
ELT Advanced
,
Primary
Format: Hardback
Publisher's Status: Forthcoming
Introduction: The Visual Monarchy Part I Chapter One: The Modern Imperial Family: Institutions and Images Chapter Two: Mimesis and Multiples: Empress Shōken and the Power of Print in Establishing the Public Empress Persona Chapter Three: The Optics of Modernity: Empress Teimei, Photography, Mass Media, and Gender in the Imperial Likeness Part II Chapter Four: Towards the Sacred and the Standard: Formality, Lineage, and Decorum in the Modern Japanese Imperial Portrait Chapter Five: Fashion, National Identity, and the Community of Royals: Global Monarchical Visual Culture between the Meiji and Taishō periods Chapter Six: Mourning and Memory: The Visual Politics of Imperial Funerals and Memorial Sites Conclusions Appendix Bibliography
Alison J. Miller is Associate Professor of Art History at the University of the South (Sewanee). Her scholarship focuses on images of women across visual media in modern Japan. She is co-editor of The Visual Culture of Meiji Japan: Negotiating the Transition to Modernity (2021) and Transposed Memory: Visual Sites of National Recollection in 20th and 21st Century East Asia (2024).
