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Edgar G. Ulmer

A Filmmaker at the Margins

Noah Isenberg

$49.95

Hardback

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English
University of California Press
09 January 2014
Edgar G. Ulmer is perhaps best known today for Detour, considered by many to be the epitome of a certain noir style that transcends its B-list origins. But in his lifetime he never achieved the celebrity of his fellow Austrian and German émigré directors-Billy Wilder, Otto Preminger, Fred Zinnemann, and Robert Siodmak. Despite early work with Max Reinhardt and F. W. Murnau, his auspicious debut with Siodmak on their celebrated Weimar classic People on Sunday, and the success of films like Detour and Ruthless, Ulmer spent most of his career as an itinerant filmmaker earning modest paychecks for films that have either been overlooked or forgotten. In this fascinating and well-researched account of a career spent on the margins of Hollywood, Noah Isenberg provides the little-known details of Ulmer's personal life and a thorough analysis of his wide-ranging, eclectic films-features aimed at minority audiences, horror and sci-fi flicks, genre pictures made in the U.S. and abroad. Isenberg shows that Ulmer's unconventional path was in many ways more typical than that of his more famous colleagues. As he follows the twists and turns of Ulmer's fortunes, Isenberg also conveys a new understanding of low-budget filmmaking in the studio era and beyond.
By:  
Imprint:   University of California Press
Country of Publication:   United States
Volume:   48
Dimensions:   Height: 229mm,  Width: 152mm,  Spine: 33mm
Weight:   635g
ISBN:   9780520235779
ISBN 10:   0520235770
Series:   Weimar & Now: German Cultural Criticism
Pages:   384
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Hardback
Publisher's Status:   Active
List of Illustrations Preface 1. Traces of a Viennese Youth 2. Toward a Cinema at the Margins 3. Hollywood Horror 4. Songs of Exile 5. Capra of PRC 6. Back in Black 7. Independence Days Postscript Filmography Notes Select Bibliography Acknowledgments Index

Noah Isenberg is Director of Screen Studies and Professor of Culture and Media at the New School, author of Detour, and editor of Weimar Cinema: An Essential Guide to Classic Films of the Era.

Reviews for Edgar G. Ulmer: A Filmmaker at the Margins

The story of his [Edgar G. Ulmer's] life is told with remarkable research and insight. -- Richard Brody New Yorker 20140122 [A] cogent treatment of a singularly unlikely career. Isenberg's writing...allows the monumental eccentricities of Ulmer's underground journey to shine through. -- Howard Hampton Bookforum 20140301 The season's must read [for film buffs] ... Noah Isenberg's long-awaited biography 'Edgar G. Ulmer: A Filmmaker at the Margins.' Ulmer-whose CV includes People on Sunday, The Black Cat, Detour, four Yiddish talkies, a half dozen bargain basement classics and as many indescribable oddities-had a life that was every bit as interesting as his film. The writing is scholarly but, given the material, charged with irony and full of pep. -- J. Hoberman Artinfo 20131220 Long considered as something of a guilty pleasure among filmmakers, critics, and fans, director Edgar G. Ulmer finally gets the attention and scholarship he deserves in Noah Isenberg's new book. -- Matthew Steigbigel The Credits 20140128 A rare coupling of intellectual treatise and entertaining biography that beckons to both the film scholar and the public. -- Miguel Rodriguez KPBS 20140130 With sober intrepidness, Isenberg tethers down to earth some of the more wild claims made by and about his subject. In recounting the filmmaker's amazing career, he moves easily between describing the drama going on behind the scenes and analyzing the provocative work that Ulmer put on screen... This fascinating biography gives us the chance to weigh the many frustrations in Ulmer's career against the joy he found in the act of creation. -- Betsy Sherman Arts Fuse 20140202 Operating mostly outside of the Hollywood system, Edgar G. Ulmer (the original King of the B's) is a fascinating character whose rather notorious mysterious life is somewhere between fact and fiction. All of this is explored and solved ... in scholar Noah Isenberg's brilliant new critical biography Edgar G. Ulmer: A Filmmaker at the Margins. -- Caryn Coleman Vice 20140218 A most welcome book, which can lay claim to being a definitive study of Edgar G. Ulmer... Isenberg has given us more than an academic study of the filmmaker's eclectic career. He manages to paint a rounded, sympathetic but honest picture of the man whose endless dreams were so often dashed... Edgar G. Ulmer: A Filmmaker at the Margins is scholarly but never dry. It is a valuable reference and a good read. -- Leonard Maltin Indiewire 20140311 As Isenberg reveals in this utterly necessary book, Ulmer was a nonpareil slinger of [exaggerated stories] even for a business that thrives on everything inauthentic except avarice... In so many ways he was the Micawber of Poverty Row, and the something that turned up was not the big budget spectaculars with A-list casts that he fervently hoped for, but the wormy little movies about failure that he actually made. They were more than good enough to justify a life, and this very good book. -- Scott Eyman ScottEyman.com 20140304


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