Dürer’s Knots

Early European Print and the Islamic East

Susan Dackerman

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Hardback

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English

Princeton University Press
10 September 2024

Renaissance art; Prints & printmaking; Individual artists, art monographs; Philosophy: aesthetics; Islamic studies

An important new examination of Islamic themes in the art of Albrecht Drer.

Albrecht Drer's depictions of Muslim figures and subjects are considered by many to be among his most perplexing images. This confusion arises from the assumption that the artist and his northern European contemporaries regarded the Muslim Levant as an exotic faraway land inhabited by hostile adversaries, not a region of neighboring empires affiliated through political and mercantile networks. Susan Dackerman casts Drer's art in an entirely new light, focusing on prints that portray cooperation between the Muslim and Christian worlds rather than conflict and war, enabling us to better understand early modern Europe through its visual culture.

In this beautifully illustrated book, Dackerman provides new readings of three of the artist's most enigmatic print projects

Sea Monster, Knots, and Landscape with Cannon

situating them within historical contexts that reflect productive collaborations between Christendom and Islam, from the artistic and commercial to the ideological and political. Dackerman notes how Gutenberg's development of printing shares an inextricable relationship to the 1453 Ottoman siege of Constantinople. While Gutenberg's workshop produced a call to crusade and other publications antagonistic to the Muslim East, Drer's prints, she shows, instead emphasize instances of affiliation between Christendom and Islam.

A breathtaking work of scholarship, Drer's Knots shows how the artist's prints of Muslim subjects give expression to the interconnectedness of Christian Europe and the Islamic East.

By: Susan Dackerman
Imprint: Princeton University Press
Country of Publication: United States
Dimensions: Height: 279mm, Width: 216mm,
ISBN: 9780691250441
ISBN 10: 0691250448
Pages: 200
Publication Date: 10 September 2024
Audience: General/trade , ELT Advanced
Format: Hardback
Publisher's Status: Active

Susan Dackerman is an art historian and curator who has held posts at the Baltimore Museum of Art, Harvard Art Museums, Getty Research Institute, and Stanford University. Her books include Painted Prints: The Revelation of Color in Northern Renaissance and Baroque Engravings, Etchings, and Woodcuts; Prints and the Pursuit of Knowledge in Early Modern Europe; and (with Jennifer L. Roberts) Jasper Johns: Catalogue Raisonn of Monotypes.