Digital Design

A Critical Introduction

Dean Bruton, Antony Radford

$220

Hardback

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English

Berg Publishers
01 November 2012

Digital Design: A Critical Introduction provides

a much-needed new perspective on designing with digital media. Linking

ideas from media theory, generative design and creativity with examples

from nature, art, architecture, industrial design, websites, animation

and games, it addresses some fundamental questions about creative design

with digital media.

Featuring original material based on the

authors' own research, the book argues that the recognition and

understanding of the interplay of the two apparently opposing concepts

of rules and contingency supports original thinking, creativity and innovation.

Going beyond existing texts on the subject, Digital Design

is an accessible primer whose innovative approach transcends the

analysis of individual subfields - such as animation, games and website

design - yet offers practical help within all of them.

By: Dean Bruton, Antony Radford
Imprint: Berg Publishers
Country of Publication: United Kingdom
Dimensions: Height: 244mm, Width: 189mm, Spine: 15mm
Weight: 513g
ISBN: 9781847888297
ISBN 10: 1847888291
Pages: 192
Publication Date: 01 November 2012
Audience: Professional and scholarly , Professional and scholarly , General/trade , Undergraduate , Undergraduate
Format: Hardback
Publisher's Status: Active

Dean Bruton is an artist leading the Digital Arts Program at the School of Arts and Social Sciences, Southern Cross University, Australia. He is author of Recollections: The Contemporary Art Society of South Australia 1943-86. Antony Radford is an urban designer and Emeritus Professor of Architecture at the University of Adelaide, Australia. He is co-author of CADD Made Easy, Knowledge-Based Design Systems, Understanding Sustainable Architecture, and Design by Optimization in Architecture, Building and Construction.

Reviews for Digital Design: A Critical Introduction

Emphasising a maker's perspective on digital design - the nodes, networks, and the capacity for participation and evolution that digital media affords us - and maintaining a consistent conceptual position, this book makes the case for a generic approach to digital design. * Karen Cham, Kingston University, UK * As an artist myself I found the book very stimulating. The authors draw interesting connections between multiple topics. * Greg Johnson, Savannah College of Art and Design, USA *