Designing Russian Cinema: The Production Artist and the Material Environment in Silent Era Film

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Eleanor Rees (University College London, UK) Birgit Beumers

Designing Russian Cinema

The Production Artist and the Material Environment in Silent Era Film

Eleanor Rees (University College London, UK), Birgit Beumers, Lilya Kaganovsky

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English

Bloomsbury Academic
25 July 2024

History of Art & Design Styles; Industrial: Commercial Art & Design; Film theory & criticism; Film movie production: technical skills

Series: KINO - The Russian and Soviet Cinema

This book highlights the significant role that production artists played when Russian cinema was still in its infancy. It uncovers Russian cinema’s connections with other art forms, examining how production artists drew on both aesthetic traditions and modernist experiments in architecture, painting and theatre as they explored the new medium of cinema and its potential to engender new models of perception and forms of audience engagement.

Drawing on set design sketches, archival documents and film-makers’ memoirs,

Eleanor Rees reveals how less-canonical films such as Behind the Screen (Kulisy ekrana, 1919) and Palace and Fortress (Dvorets i krepost´, 1923), were remarkable from a design perspective, and also provides new readings of well-known films, such as Children of the Age (Deti veka, 1915) and Strike (Stachka, 1925). Rees brings to light information on significant but understudied figures such as Vladimir Egorov and Sergei Kozlovskii, and highlights the involvement of well-known figures such as Lev Kuleshov and Aleksandr Rodchenko.

Unlike the majority of late Imperial directors and camera operators, many early-Russian production artists continued to work in cinema in the Soviet era and to draw on practices forged before the 1917 Revolution. In spanning the entire silent era, this book highlights the often overlooked continuities between the late-Imperial and early-Soviet periods of cinema, thus questioning traditional historical periodisations.

By: Eleanor Rees (University College London UK)
Edited by: Birgit Beumers, Lilya Kaganovsky
Imprint: Bloomsbury Academic
Country of Publication: United Kingdom
Dimensions: Height: 216mm, Width: 138mm, Spine: 25mm
Weight: 454g
ISBN: 9781350246355
ISBN 10: 1350246352
Series: KINO - The Russian and Soviet Cinema
Pages: 256
Publication Date: 25 July 2024
Audience: College/higher education , Primary
Format: Paperback
Publisher's Status: Active

Eleanor Rees received her PhD in January 2020 from University College London (UCL), UK, and has a BA and MA in History of Art at the Courtauld Institute of Art, University of London, UK. Her doctoral research was funded by the Wolfson Foundation and the Design History Society. She has written ‘Comfort and the Domestic Interior in Early-Soviet Cinema of the 1920s’ in Pat Kirkham and Sarah Lichtman (eds), Interiors: Film and Television (Bloomsbury Academic, 2020).